tremé

David Simon.
American Library Association via Music Inside Out

For most of his working life, David Simon has been telling an epic story of the American city — one corner at a time. First on the pages of The Baltimore Sun, then in the books Homicide: Life on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.

But it was on television that David Simon found his biggest and most devoted audience. NBC’s Homicide: Life on the Street and HBO’s The Corner and The Wire presented crime and punishment in an entirely new way. Detectives and criminals became extraordinarily ordinary people.

Eve Troeh / WWNO

About a year ago, Greg Thyssen and Shakti Belway bought an 1800's double shotgun in the Tremé neighborhood.

"I'm tall," Thyssen said, "so I love the high ceilings, a fireplace in every room, beautiful pocket doors."

Beauty, yes, but the house needed work. "The floors were eaten away by termites," Belway said, "and under layers and layers of linoleum."

John Boutté is hard to intimidate. He may be the only guy who has ever told Stevie Wonder that his singing was flat. Boutté's observation, during a chance encounter with Wonder, changed his life for good. What's more, it made our lives better.

For more than 20 years, Boutté has built a career writing and performing his own songs, as well as re-interpreting the signature work of others. This week, Boutté tells Music Inside Out how he got so good at finding lyrics to suit his voice, his tenderness, his outrage and his legendary sass.

Gregg Goldman / Music Inside Out

The day we visited Tom McDermott’s home, the sound of James Booker’s “Classified” greeted us. It was a sweet gesture: walking into a man’s home to the sound of your radio show’s theme music.

The New Orleans Jazz & Heritage Foundation, in collaboration with the Lower 9th Ward Center for Sustainable Engagement & Development, will present a Tom Dent Congo Square Symposium this Friday, Nov. 9.

Ian McNulty

The nation’s leader in real estate development for the arts has a new plan for a Tremé school property with long roots.

'Treme,' Ep. 26: That's What Buddy Bolden Said

Oct 22, 2012

Certain episodes of Treme seem to wear their ideological hearts on their sleeves, and this was one. You open with Desiree's mother's house getting torn down in a city mix-up; you have Davis throwing around phrases like "preservation through neglect"; you see housing projects torn down amid protest with the implication of a corrupt deal; you get protagonists like the Bernette family being harassed by police; you witness clueless developers trying to build a national jazz center while waiting for the other shoe to drop.

The new season of David Simon’s HBO series Treme, which started Sunday and runs through Nov. 25, features a new character modeled on A.C. Thompson, the award-winning Bay Area reporter whose exposés of police wrongdoing after Hurricane Katrina shook up New Orleans. Now with the journalism nonprofit ProPublica and working out of the East Bay again after three years in New York, Thompson talks about putting bad cops in jail and spinning drudgery into art.

If you've been watching the HBO series Treme with us, welcome back.

If you're new here, welcome in the first place. WBGO's Josh Jackson, a New Orleans native, and I have been watching the music-saturated program set in post-Katrina New Orleans for two years now. After every episode, we try to establish some context for the many musical references and live performances the show features.

The New Orleans Police Department's Traffic Division will be conducting a sobriety checkpoint in the Tremé, beginning at about 9 p.m. tonight and continuing until about 5 a.m. Saturday morning.

The department says motorists will experience minimal delays, and should be prepared to show proper documentation to officers if stopped, including a driver's license and proof of insurance.

"I would like to remind all drivers to always drink responsibly and to use a designated driver," said Police Superintendent Ronal Serpas.

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