This week on Continuum you'll hear a program of the music of Bach. Two of the six Suites for Solo Cello will be performed by the outstanding cellist, Tess Remy-Schumacker. And excerpts from the motet repertoire of the composer will round out the program.
The music is from the two CDs: Suites for Cello Solo: Nos. 1, 2 & 3 (Tess Remy-Schumacheer) Xolo1011, and Johann Sebastian Bach Motetten (The Hilliard Ensemble) ECM 1875.
There’s a reason why lions prefer the company of other lions. Just ask Reggie Scanlan. As a bass player, Scanlan worked with James Booker and Professor Longhair before starting a 33-year run with the Radiators. He’s now in a band of all-stars called the New Orleans Suspects.
Two of the most famous Renaissance composers of dance music were Michael Praetorius (1571-1521) and Tielman Susato (c.1510-1570). This week on Continuum you'll hear a wide selection of this highly spirited music.
Performing will be the famous New York Pro Musica and the New London Consort. The music by the New York Pro Musica is from a 1950s sound track of an early video of this most famous early music ensemble. CDs used are: Praetorius/Susato (New York Pro Musica) L’Oiseau-Lyre 436 132-2, and Tielman Susato: Dansereye (New London Consort) Universal UMD 80565.
Continuum this week will present a special New Year's program of early music, both sacred and secular.
The sacred music is primarily from the Manuscrit du Puy which brings together a varied group of Aquitanian monodic and polyphonic chants for the New Year from the 12th to the 16th centuries. The secular music will be spirited French estampie dances of the 14th century.
The day we visited Tom McDermott’s home, the sound of James Booker’s “Classified” greeted us. It was a sweet gesture: walking into a man’s home to the sound of your radio show’s theme music.
McDermott knows how to communicate with a piano.
Blame it on Rio… and ragtime. McDermott has a piano playing style that smacks of sweet melodies, savory harmonies, and spicy Brazilian rhythm. And he serves up all three this hour. Pull up a chair, and enjoy.
The 2014-15 Metropolitan Opera Radio Broadcast season continues with a live broadcast of Humperdinck’s Hansel and Gretel. The performance, sung in English and presented as part of the Met's holiday series, stars soprano Heidi Stober as Gretel; mezzo-soprano Christine Rice in her network broadcast debut as Hansel; tenor Robert Brubaker as the wicked Witch who captures them; and Michaela Martens and Dwayne Croft as the parents of the wayward children; Sir Andrew Davis conducts.
This week on Continuum you'll hear excerpts from the Feast of Fools, a post-European Christmas event dating from the Middle Ages.
Occurring between Christmas and Epiphany, this celebration was marked by much license and buffoonery. The clergy and the laity traded places for a day and interesting things happened, particularly in The Mass of the Ass.
You'll hear it from these CDs: The Feast of Fools (The New London Consort) L’Oiseaus-Lyre 433 194-2, and La Fete de L'Ane (Clemencic Consort) Harmonia Mundi HMT 7901036.
Originally published on Fri December 26, 2014 1:28 pm
[Note: This show is from a previous interview that aired on June 4, 2014.]
Fifty years ago, three young women from New Orleans hit it big with the release of their single “Chapel of Love.” The Dixie Cups song was an instant chart-topping hit on the pop and R&B charts, displacing the reigning champs of the Billboards, The Beatles, and reclaiming the charts for American musicians in the midst of the British invasion.
Continuum presents a special holiday program this week, Natus Est — A Medieval Christmas, medieval Christmas music performed by the two oldest early music ensembles in the U.S.: New Orleans Musica da Camera and Boston Camerata.
The music is from the Musica da Camera CD, Natus Est, Centaur CRC 2208 and the Boston Camerata CD, A Medieval Christmas, Elektra Nonesuch 9 71315-2.