Weekends on All Things Considered continues its "Why Music Matters" series with a story from the operating room.
"The O.R. is a naturally rhythmic place, in that you have the beating of the anesthesia machines and the autoclave comes on," says Divya Singh, an orthopedic and hand surgeon. "So music just becomes another sound."
Go ahead, we DARE you. Try listening to this week's re-broadcast of Music Inside Out with Deacon John Moore and NOT enjoying yourself.
As a guitarist, band leader and showman, Deacon John has been delighting crowds for more than half a century. This year, he's played the New Orleans Jazz and Heritage Festival and the White House. He's just that irresistible.
Members of the all-girl punk band Pussy Riot: Nadezhda Tolokonnikova (right), Maria Alyokhina (center) and Yekaterina Samutsevich (left) in a glass-walled cage during a court hearing in Moscow earlier today.
All this summer, All Things Considered is digging into the record collections of listeners' parents to hear about one song introduced by a parent that has stayed with you.
Among the many records Darrin Wolsko spun while donning a red cape around 1985, The Beatles' self-titled release best known as The White Album got the most plays — "to the point where I destroyed the album. I shredded this album to pieces," Wolsko says.
Recently, a friend handed me an Iranian music CD and said you have to hear this. My friend is an Iranian filmmaker and once, long ago, he took me to an underground jazz concert in Tehran. It was dramatic traveling through back alleys to get to the gig and I did a story on it for NPR then in 1997.
One of the musicians I met that night was a bass player named Marob(ph). Speaking through a translator, he mentioned the freedom music creates, even in an authoritarian society.
Saxophonist Jan Garbarek was a teenage protege of American composer George Russell in Norway in the 1960s and later played in Keith Jarrett's Scandinavian quartet. More recently, he has collaborated with the vocal quartet the Hilliard Ensemble, improvising as they sing medieval music.
Von Freeman, a tenor saxophonist who was iconic within Chicago's music scene and to jazz conoisseurs worldwide, died Saturday at the Kindred Chicago Lakeshore care center. He was 88 and had been in declining health for more than a year.