This week on Continuum, Milton Scheuermann plays early dance music from the CDs A Dance in the Garden of Mirth by The Dufay Collective (Chandos CHAN 9320) and Istanpitta II by New York Ensemble for Early Music (Lyrichord LEMS 8022).
Originally published on Sun July 13, 2014 10:47 am
Impulse Records is the legendary label that proudly delivered the "new thing" in jazz in the 1960s: avant-garde records from the likes of John Coltrane and Pharaoh Sanders. It also helped jazz cross over to a larger audience; quite a few flower children bought Impulse albums.
This week on Continuum, Milton and Thais play early music centered around Henry VIII from the CDs If Love Now Reigned by the Isaak Ensemble Heidelberg (Bayer Records BR 100132 CD) and Music for Henry VIII by The Hilliartd Ensemble (Saga Classics SCD 9003).
When John Boutté commits to a song, he tailors it like a suit from Savile Row, breaking down the lyrics then building them back up again to say exactly what he means. If a Paul Simon song conjures the image of early Americans sailing to the New World on the Mayflower ship, Boutté will sing the same song and mention early Americans who sailed on the slave ship Amistad. If Dave Bartholemew writes that the grass looks greener somewhere else, Boutté will sing that the grass is greener right here at home.
Did you know that John F. Kennedy was a Republican? Neither did I. But that's what one of my college students guessed in a course on news writing. I asked another kid what period followed the Industrial Age and she said, "The Golden Age?" We moved on.
Dearly beloved, we will gather at Essence Music Festival on July 4th to get down with this man named Prince. Electric word “Prince” — it means “genius” and that’s a mighty big title, but I’m here to tell you: nothing compares to the Purple One.
“I don’t have a favorite era. It’s like saying ‘Which is your favorite child.’ Different eras, different songs fit different parts of your life, so I can’t say I have a favorite.”
In the middle of our live interview with Mannie Fresh at NPR's headquarters in D.C., Ali asked Mannie how he approaches DJing — does he play what he wants to hear? Or does he feed the crowd? "When I want you to understand something, I remix it," Mannie said. "If it's Earth Wind and Fire, and you not getting it, I'ma make you get it."