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This week, we bring you that funky gentleman in the Ninth Ward, Jon Cleary, who  joins us to talk about his native England, his grandmother, the piano back home, his mother's songwriting chops, and a variety of other loves.

By 1928, Earl Hines was jazz's most revolutionary pianist, for two good reasons. His right hand played lines in bright, clear octaves that could cut through a band. His left hand had a mind of its own. Hines could play fast stride and boogie bass patterns, but then his southpaw would go rogue — it'd seem to step out of the picture altogether, only to slide back just in time.

Jason Saul / WWNO

When John Boutté commits to a song, he tailors it like a suit from Savile Row, breaking down the lyrics then building them back up again to say exactly what he means. If a Paul Simon song conjures the image of early Americans sailing to the New World on the Mayflower ship, Boutté will sing the same song and mention early Americans who sailed on the slave ship Amistad. If Dave Bartholemew writes that the grass looks greener somewhere else, Boutté will sing that the grass is greener right here at home.

We go Inside the Arts for conversation with acclaimed trumpeter, composer and poet Hannibal Lokumbe. The residencies of Lokumbe at the Contemporary Arts Center, New Orleans will be celebrated with a new retrospective exhibit — And Their Voices Cry Freedom Again — and with concerts on Friday, March 1 and Saturday, March 2 at 7:30 p.m.

In conjunction with Lokumbe's concerts, the CAC will host two special exhibition preview receptions on March 1 and 2, beginning at 5:30 p.m.  

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This week on Inside the Arts Diane talks with Tony Award-winning actress and singer Sutton Foster. Then she visits with acclaimed trumpeter Hannibal Lokumbe and explores issues on integration with New York Times-bestselling author Tanner Colby.

Today on The Sound of Books with Fred Kasten, the new book from New Orleans photojournalist and jazz historian John McCusker — Creole Trombone: Kid Ory and the Early Years of Jazz.

A Brief History Of Jazz Education, Pt. 1

Nov 5, 2012

One year ago, when I began graduate study in ethnomusicology at UCLA, I found myself undergoing what has become a familiar ritual. As I played my trombone in a near-empty classroom accompanied by a play-a-long recording, it occurred to me that I was in the midst of my sixth college big band audition. A professor — in this special case, guitar legend Kenny Burrell — led the proceedings. When he engulfed my hand in his massive grip, I learned that I was in.

Saxophonist Branford Marsalis, oldest son of New Orleans pianist and educator Ellis Marsalis, released an album with his quartet this week. He spoke to weekends on All Things Considered host Guy Raz about the failings of modern jazz, his hopes for the next generation and leaving New York City to move back to the South.

Vappielle, Inc.

Don Vappie can play just about anything on banjo — classical compositions, traditional jazz, even funk music. So wherever he goes musically, there's always an audience eager to hear what he has to say.

What most people may not know is that Vappie's talent extends to bass, guitar and any other instrument that needs playing. His ears are just that big. And his hands are just that good. Maybe that's why Vappie tells Music Inside Out that one of his favorite songs is the old Charles Wright hit, "Express Yourself." Because that's what Vappie does best.