The new Batman film, The Dark Knight Rises, is perhaps the most anticipated movie of the summer. It's the last film in the Batman trilogy that writer-director Christopher Nolan has crafted over the past 7 years.
Nolan wanted The Dark Knight Rises, which will be released in theaters July 20, to feel like a historical epic. As he tells weekends on All Things Considered host Guy Raz, he looked to films like Fritz Lang's Metropolis, David Lean's Dr. Zhivago, and Ridley Scott's Blade Runner.
Opinions about Dirty Projectors couldn't be more divided. At a recent NPR Music listening party, audience members gave the band's new album, Swing Lo Magellan, both very high marks and very low marks. It was a genuine split decision.
Intrigued, weekends on All Things Considered spoke with Dirty Projectors bandleader Dave Longstreth to figure out why. One thing became clear pretty quickly: Longstreth and Dirty Projectors take a lot of risks.
Buzz has been building. There were standing ovations when Milo Greene toured with The Civil Wars. Esquire magazine put Milo Greene on its list of artists to watch in 2012, and Milo Greene will perform songs from its debut album on David Letterman's show later this month. But this budding star is probably not who you think he is.
Originally published on Fri July 13, 2012 11:56 am
This interview was originally broadcast on September 19, 2011. Breaking Bad begins its fifth season on Sunday, July 15th at 10 PM EST.
Vince Gilligan's AMC drama Breaking Bad stars Bryan Cranston as a high school chemistry teacher named Walter White who turns to dealing drugs after being diagnosed with a terminal illness. White's partner-in-crime throughout the series is his former student Jesse Pinkman, played by actor Aaron Paul.
Deacon John's mother wanted him to be a singer, but she hated rock 'n roll.
Mrs. Moore's little boy picked up a guitar, and it wasn't long before rock 'n roll came tumbling out. His bandmates named him Deacon John. But he also recorded at least one song under the name Johnny Moore. Deacon John's early recordings were high energy and danceable, just like his stage show. But "You Don't Know How (To Turn Me On)" and "Haven't I Been Good To You," signaled only a fragment of what the Deacon could do.
Originally published on Fri July 13, 2012 11:08 am
Fans of Star Trek long ago noted that anonymous security officers who accompanied the show's stars rarely survived the experience. Shortly after being beamed down, they would be vaporized, stomped or eaten for dramatic effect. It's a plot device so common that these expendable crewmen became known collectively as redshirts.
In his novel Redshirts, science fiction writer John Scalzi follows Andrew Dahl, a similarly expendable ensign as he sorts out this life-expectancy issue.
Originally published on Thu July 12, 2012 11:52 am
Lots of people know Woody Guthrie's classic 1940 ballad "This Land Is Your Land," but the story behind the tune may not be as familiar.
Guthrie, who would have turned 100 this week, wrote "This Land" as a response to Irving Berlin's "God Bless America," a song he felt was overly patriotic and not directed at ordinary Americans like himself.
Many of the key scenes in David McGlynn's striking new memoir, A Door in the Ocean, take place at the beach or in swimming pools. McGlynn was a surfer and competitive swimmer in his school days and still squeezes into his Speedos for races like the annual 5K "Gatorman" off the coast of La Jolla, Calif. Ocean swimming, in particular, transports McGlynn to another realm, and he does a terrific job of dramatizing the allure of solitary swims in open water. Midway through his book, he writes:
Originally published on Wed July 11, 2012 12:32 pm
Kenneth Lonergan's critically acclaimed film Margaret was completed in 2006, but because of several lawsuits, it wasn't released until last year.
Called "nothing short of a masterwork" by The New Yorker, the film stars Anna Paquin as Lisa, a Manhattan teenager who tries to make sense of a bus accident she may have caused — one that resulted in a woman's death. Lonergan tells Terry Gross that he wrote the film because he was interested in how teenagers transition into an adult world.