The irrepressible John Boutté, on Music Inside Out.
John Boutté is hard to intimidate. He may be the only guy who has ever told Stevie Wonder that his singing was flat. Boutté's observation, during a chance encounter with Wonder, changed his life for good. What's more, it made our lives better.
For more than 20 years, Boutté has built a career writing and performing his own songs, as well as re-interpreting the signature work of others. This week, Boutté tells Music Inside Out how he got so good at finding lyrics to suit his voice, his tenderness, his outrage and his legendary sass.
This month, OperaCréole will hold a concert in honor of Scott Joplin and Samuel Coleridge-Taylor, two composers of African descent, whose operatic works were never fully realized. The group will perform selections from Joplin's much-debated "Treemonisha" (Is it, or is it not grand opera?) and Coleridge -Taylor's "Thelma," which was lost for nearly 100 years before a graduate student discovered it reportedly in the archives of the British Library.
There's a reason why lions prefer the company of other lions. Just ask Reggie Scanlan. As a bass player, Scanlan worked with James Booker and Professor Longhair before starting a 33-year run with the Radiators. He's now in a band of all-stars called the New Orleans Suspects.
Like most girls her age, Susan Cowsill watched The Partridge Family every week on television. But unlike most girls her age, she was related to the Partridges, albeit in a Hollywood kind of way. The show was modeled after Cowsill and other members of her singing family.
In the 1960s and early '70s, The Cowsills were regulars on television, appearing with Ed Sullivan, Johnny Cash and on their own programs. They also had a string of top ten hits, including "The Rain, the Park and Other Things," and "Hair."
Fans of Portlandia may recall a recent episode in which its main characters (played by Carrie Brownstein and Fred Armisen) get a good look at their new cleaning lady. They think the cleaning lady might be — and realize that it actually is — the singer-songwriter Aimee Mann.
Amy Adams has played a Disney princess, a puckish Amelia Earhart, an innocent young nun and a blogging Brooklynite who wants to follow the recipe for being Julia Child.
But she takes a more steely turn in her latest role in The Master, which has just opened in New York and Los Angeles. The film, written and directed by Paul Thomas Anderson, also stars Joaquin Phoenix and Philip Seymour Hoffman.