Alice Gerrard has been a musician, researcher, publisher, and advocate for old-time music for much of her life. She's best known for performing and recording bluegrass and country with West Virginian, Hazel Dickens. Alice produced Sprout Wings and Fly, a film about North Carolina fiddler Tommy Jarrell. Her introduction to old-time music happened at Antioch College in the 1950s with husband Jeremy Foster and friends. The couple soon moved to the D.C.-Baltimore area for work and found a community of traditional musicians and their followers. Alice Gerrard recalled those days.

This is American Routes, about to go live at the New Orleans Jazz Museum with keyboard wizard Davell Crawford on piano. In addition to being the Prince of New Orleans piano, Davell is a fine singer and wily raconteur who grew up in French Louisiana’s “hub city” of Lafayette and also in New Orleans. We’ll learn about his large musical career and interests, but first here’s his tribute tune to one of his greatest heroes, the late James Booker. It’s a “Song for James” on American Routes Live.

Los Lobos are a truly Mexican and American band. A sonic feast of Mexican acoustic musical traditions, blended later with large helpings of R&B, rock, and soul. Los Lobos have been writing and performing together for over fifty years, a partnership that began back at Garfield High, in East L.A. I spoke to longtime Lobos songwriter, Louie Pérez, about the band’s neighborhood roots.

After Aretha Franklin signed with Atlantic Records in 1967, producer Jerry Wexler brought her to record in Muscle Shoals, Alabama. Known for its local recording studios, including FAME and Muscle Shoals Sound, the Tennessee River town produced many hits and allowed the Black and white music worlds to coalesce. In 1967, Aretha recorded her first big hit, “I Never Loved A Man (The Way I Love You)” at FAME studios, but all did not go smoothly. Studio guitarist Jimmy Johnson tells the story.

The Historic New Orleans Collection spotlights Dr. Denise Reed. The British-born scientist describes her culture shock upon arriving in Cocodrie, Louisiana shortly after receiving her Ph.D. at Cambridge University.

This is American Routes, remembering Flaco Jiménez, who passed away in July. Leonard “Flaco” Jiménez was the most influential Texas-Mexican accordion player of his time. Flaco’s father Santiago Jiménez Sr. helped create the style called “conjunto” or “la música norteña,” from rancheras to polkas. Flaco Jiménez was born in 1939 in San Antonio and carried his father's sound forward. In addition to singing, Flaco became famous for his rhythmic drive, inventive solos and stage antics. From his 1950s teenage days playing local dances, Flaco emerged in the early ‘70s to record with Doug Sahm and Ry Cooder, and later Linda Ronstadt and Los Lobos. I talked to the squeezebox king about his sound and his name.