We celebrate the cultural minglings in New Orleans with a visit to the 2019 French Quarter Festival. This week, we’ll hear from Irma Thomas, the late Ellis Marsalis, the Preservation Hall Brass Band, Don Vappie and Evan Christopher, Bruce Daigrepont, Topsy Chapman and Solid Harmony, the New Orleans Klezmer All-Stars and Dejan’s Olympia Brass Band.

Our guest, Lil Ray Neal, has been referred to by his fans as the “Gentle Giant of the Blues.” You may know his father, who he is named after, Baton Rouge blues giant, Raful Neal. Or you may have heard his brother Kenny Neal on a previous American Routes show. Born in Erwinville, LA, now based in Baton Rouge, Lil Ray Neal has been working as a blues guitarist and vocalist for over 40 years, playing with artists John Lee Hooker, Big Mama Thornton, Muddy Waters, James Cotton, Little Milton, Bobby Rush, Bobby “Blue” Bland, and B.B. King. Here on American Routes live, he’s taking the stage solo for a rare intimate performance at the The West Baton Rouge Museum, beginning with “Darlin’ You Know I Love You.”

The Winnsboro Easter Rock Ensemble carries on a women-led African American spiritual ritual, originally performed by enslaved Africans in the Northeast Louisiana Delta region of Franklin Parish before the Civil War. It combines Christian worship and the West African ring shout tradition. The Easter Rock is held the day before Easter, with call and response vocals and foot-stomping, honoring Jesus as they circulate with a train of swaying ribbon streamers on a large heavy banner representing the burden of the cross to commemorate the death and resurrection of Christ. The Winnsboro Easter Rock Ensemble are the last known practitioners of the ritual, moving counter-clockwise around a white table representing Christ’s tomb. Leader, the elder Hattie Addison spoke with me and led the group in song and steps.

The Historic New Orleans Collection spotlights Windell Curole, general manager of the South Lafourche Levee District for over 40 years.

Singer Allison Russell is a native of Montreal with what she calls “Grenadian Canadian” roots of Afro-Caribbean and Scottish ancestry. You may know her recordings with Our Native Daughters and the Birds of Chicago, or back when with Po’ Girl. In her first solo recording, Outside Child, Russell addressed family abuse in her youth, followed by escape to the road: Vancouver, San Francisco, Chicago. Those early life experiences led Allison years later to make new, compelling songs, expressing freedom from trauma, to love and hope for better times. She lives now with fellow musician JT Nero and their young daughter in Nashville, but Allison Russell began the journey’s narrative in her beloved Montreal.