Musica da Camera's Continuum

Sundays at 6 a.m.
  • Hosted by Milton Scheuermann and Thais St. Julien

The first Continuum broadcast was in February, 1976, and was hosted by Milton Scheuermann. Thais St. Julien joined him on the second, and the two have continued to co-host the weekly program ever since. During the past 38 years, they’ve produced over 1900 programs! Continuum has been a winner of the Early Music America/Millennium of Music National Radio Competition, and received the KXMS Fine Arts Radio International Award (Classical Radio Programing with Educational Content).

In addition to presenting a variety of recorded music of the middle ages, Renaissance and Baroque from the Musica da Camera’s 4,000 CD collection, the co-hosts have interviewed a number of internationally known performers, including John Reeves White (director of the New York Pro Musica) David Munrow (director of the Early Music Consort of London), Anonymous 4, and members of the Boston Camerata, and Sequentia. The program has also featured recordings of live early music concerts of both Musica da Camera and guest artists.

This Continuum program presents early music performed on four different instruments from the medieval and Renaissance periods. They are two string instruments and two wind instruments; the viola da gamba, the Renaissance lute, the organetto (a small portative lap organ) and the recorder.

Continuum this week presents a program called The Cries of London, referring to the short lyrical and musical calls of merchants hawking their products and services at the beginning of the 17th century. Many street cries were incorporated into larger musical works, preserving them from oblivion.

This week on Continnum Milton Scheuermann and Thais St. Julien present examples of the first forms of polyphony, music composed for two or more melodies performed at the same time.

A program of music of some of the most famous German minnesingers is presented on this Continuum. The minnesingers are the German counterpart of the medieval French troubadours and trouveres.

Continuum this week will present a special New Year's program of early music, both sacred and secular. The sacred music is primarily from the Manuscrit du Puy, which brings together a varied group of Aquitanian monodic and polyphonic chants for the New Year from the 12th to the 16th centuries.

This week on Continuum you'll hear excerpts from the Feast of Fools, a post-European Christmas event dating from the Middle Ages. Occurring between Christmas and Epiphany, this celebration was marked by much license and buffoonery. The clergy and the laity traded places for a day and interesting things happened, particularly in The Mass of the Ass.

You'll hear it from these CDs: The Feast of Fools (The New London Consort) L’Oiseaus-Lyre 433 194-2, and La Fete de L'Ane (Clemencic Consort) Harmonia Mundi HMT 7901036.

On this Continuum you'll hear a special program of early Christmas music performed by the New Orleans Musica da Camera. This is music from their CD, Natus Est, directed by Continuum hosts Milton Scheuermann and Thais St. Julien.

This week, Continuum presents a program of medieval Christmas music, most of which is unknown to modern day listeners. Beginning with Aquitanian selections of the 12th century, the program progresses through the Italian, Spanish and German repertoire, ending with a selection of 15th century English carols.

English singer, lutenist, guitarist and composer Martin Best is the subject of this Continuum program. He has been active in early music since the mid 1970s with special emphasis on Renaissance music and minstrel songs of the French troubadours and trouveres.

On this program Continuum presents complete recordings of the earliest English songs in existence. They come from the two important collections, The Worcester Fragments and a collection known only as The Earliest Songbook of England. Both contain anonymous music from 13th and 14th century England.

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