Fresh Air with Terry Gross

Weekdays at 11 a.m. and 7 p.m.
  • Hosted by Terri Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 NPR stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators. Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR.

A NOTE FROM FRESH AIR: Following the broadcast of our interview with Jack Miles, we heard from a number of listeners who pointed out that a question in the interview misrepresented Hinduism, describing it as a polytheistic religion. In the unedited version of the interview, Jack Miles's response included this clarification: "it is important to note that there is a kind of monotheism hidden within Hindu polytheism ... you have not only monotheism, but a step beyond it: monism, a single reality that includes both the world and the human."

In the years following the invasion of Iraq, it became a truism that Americans simply didn't want to hear about the war — especially at the movies. While there were scads of films about Iraq, including Kathryn Bigelow's Oscar-winning The Hurt Locker, none was able to attract a big audience. Until American Sniper.

Teens can't control impulses and make rapid, smart decisions like adults can — but why?

Research into how the human brain develops helps explain. In a teenager, the frontal lobe of the brain, which controls decision-making, is built but not fully insulated — so signals move slowly.

"Teenagers are not as readily able to access their frontal lobe to say, 'Oh, I better not do this,' " Dr. Frances Jensen tells Fresh Air's Terry Gross.

Between 1962 and 1965, The Beatles were featured on 53 BBC radio programs. For The Beatles: The BBC Archives, executive producer Kevin Howlett had to search for many of these recordings, and they weren't easy to find.

Originally broadcast Nov. 27, 2013.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVE DAVIES, HOST:

Almost Famous Women is the kind of "high concept" short-story collection that invites skepticism. These stories are about 13 historical women whose names you mostly might sort-of recognize. Beryl Markham, Butterfly McQueen and Shirley Jackson are slam-dunks, but Romaine Brooks and Joe Carstairs are a bit blurrier. While the family names of Allegra Byron, Dolly Wilde and Norma Millay betray their relation to important figures, we don't know what they did. And who the heck was Hazel Eaton or Tiny Davis?

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

New Orleans music didn't do as well in the 1960s, a few hits notwithstanding, as it had done. Musicians left town, major labels lost interest, and Motown and Memphis took over the black music charts. Nonetheless, the late Cosimo Matassa, who owned the only recording studio in town, kept busy. Fresh Air rock historian Ed Ward has the story today.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVE DAVIES, HOST:

In 2005, jazz composer and french horn player Tom Varner left New York for Seattle, where he put together a nine-piece band of local players. Their new album is called Nine Surprises. Fresh Air jazz critic Kevin Whitehead says that Varner can really write, and they can really play.

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