Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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First Listen
9:33 pm
Sun May 13, 2012

First Listen: Hilary Hahn And Hauschka, 'Silfra'

Hilary Hahn and Hauschka's new album, Silfra, comes out May 22.
Mareike Foecking

Originally published on Wed October 30, 2013 10:30 am

Audio for this feature is no longer available.

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Deceptive Cadence
10:57 am
Wed May 9, 2012

Talk Like An Opera Geek: Pioneering An American Sound

John Adams' Nixon in China, produced at the Metropolitan Opera in January 2011. Left to right: Janis Kelly as Pat Nixon, Teresa S. Herold as the Second Secretary to Mao, James Maddalena as Richard Nixon, Ginger Costa Jackson as the First Secretary to Mao, Russell Braun as Chou En-lai.
Ken Howard Metropoltan Opera

Originally published on Wed May 9, 2012 12:27 pm

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Deceptive Cadence
9:52 am
Mon May 7, 2012

'Wagner's Dream': Is It The Met's Nightmare?

Ken Howard Metropolitan Opera

Originally published on Mon May 7, 2012 11:02 am

When it comes to reliable lightning rods in classical music, it's hard to top Richard Wagner. The latest controversies center on the Metropolitan Opera's current staging of the composer's gargantuan Ring cycle, the set of four epic and mythical operas first mounted at Bayreuth in 1876, and now seen live at the Met together in a series.

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Deceptive Cadence
2:41 pm
Sat May 5, 2012

Fireworks From Cuba, And Schubert That Grooves: New Classical Albums

The new album by The Knights, A Second of Silence, celebrates Schubert and more modern but like-minded composers.
Ancalagon Records

Originally published on Sun May 6, 2012 6:37 pm

Although it always seems fashionable to forecast the downfall of classical music, enterprising musicians both young and not so young continue to make deeply satisfying recordings. For this visit to weekends on All Things Considered, I was delighted to uncover the little known (at least in this country) Jorge Luis Prats, a terrifically talented Cuban pianist whose once uncertain career appears to be resurging — at 55, he has signed a handsome record deal. Then there's The Knights, a young chamber orchestra with a postmodern take on Schubert.

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Deceptive Cadence
12:01 pm
Mon April 30, 2012

Add Verse Reactions: The Poetry Month Music Puzzler

Test your knowledge of American composers and poetry with this interactive puzzler.
L. Brinck iStockphoto.com

Originally published on Mon April 30, 2012 3:45 pm

Poetry month is almost at an end,

So here's a little challenge for you, friend.

Listen close to the music clips below,

The words will tell you what you need to know.

Match music with the image of each bard,

Good luck — you'll need it 'cause the quiz is hard.

A hint that may help you along the way,

Both words and music hail from U.S.A.

An extra point if you think you know 'em ...

Identify the name of each poem.

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Deceptive Cadence
4:48 pm
Wed April 25, 2012

Talk Like An Opera Geek: Game-Changing Composers In Postwar Europe

György Ligeti's surreal opera Le Grand Macabre was the hit of the New York Philharmonic's 2009-2010 season, in a semi-staged production that featured Barbara Hannigan (left) as Gepopo and Anthony Roth Costanzo as Prince Go-Go.
Chris Lee New York Philharmonic

Talk Like An Opera Geek attempts to decode the intriguing and intimidating lexicon of the opera house.

Although a few radical composers had no use for opera in the mid-20th century (like Pierre Boulez, who infamously advocated blowing up the world's opera houses), the art form in Europe brushed itself off and began to thrive again after World War II.

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Deceptive Cadence
3:48 pm
Sun April 1, 2012

Beethoven's 10th Symphony: For Real?

Did Beethoven write a 10th symphony that was lost to history?
Clemens Bilan AFP/Getty Images

Originally published on Fri May 11, 2012 9:33 pm

Everyone knows Beethoven wrote nine symphonies, right? Or did he? Undiscovered manuscripts keep popping up all the time. Uncovering a lost 10th symphony by Beethoven would surely give the classical music world something to shout about.

It could happen — at least it could according to our colleagues over at Weekend Edition Sunday. Reporter Naomi Lewin carefully unfolds the mysterious saga of a new Beethoven discovery, as a part of our April 1 news coverage.

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Deceptive Cadence
11:51 am
Sun February 12, 2012

From Hyperpianos To Harmonious Handel: New Classical Albums

Lisa Smirnova studied Handel's suites for five years before recording them.
ECM

What's the saying — the more things change, the more they stay the same? It seems that's how it goes in the ways we make music. MIT futurologist Tod Machover rethinks traditional instruments, coming up with new things like the hyperpiano; Pianist Michael Chertock gives it a go in an explosive excerpt below.

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