Milton G. Scheuermann Jr.

Host of Continuum

Milton has been the co-host (with Thais St. Julien) of Continuum since 1976. He is a true New Orleanean, born on Mardi Gras day, attending P. A. Capdau Grammar School and Warren Easton High School. After completing the five year program of the Tulane School of Architecture in 1956 he was drafted into the Army.  After a two year stint in the combat engineers in Germany he returned to New Orleans to work with the architectural firm of Goldstein, Parham & Labouisse, becoming an associate in the firm of Parham & Labouisse after Mr. Goldstein’s death. He was appointed University Architect for Dillard University in 1972 and retired from that position in 2002. Milton has been a faculty member at the Tulane School of Architecture for the last 55 years. As Adjunct Professor of Architecture, he presently teaches courses that he designed himself; Architecture & Music and Architecture & Mysticism. Both courses involve his passions for music and magic. In 2011 Milton was a recipient of a prestigious Arts Council of New Orleans Community Arts Award as architect and educator.

Milton has taught piano since an 8th grade student at Capdau School. He studied piano for 16 years with Gordon Kirst, pianist at the original Roosevelt Hotel. While in Germany with the combat engineers he frequently performed as a pianist, and he also bought a Renaissance style recorder. After returning to New Orleans he began playing in a recorder ensemble, the Woodvine Recorder Consort, started by the then new South African Council General, Vere Stock. His growing love for early music culminated in the formation of New Orleans Musica da Camera in 1966. The ensemble is now the oldest continually performing early music ensemble in the world.

Many of the instruments used by Musica da Camera were constructed by Milton from original manuscript drawings. The ensemble now has the pleasure of owning well over 100 early instruments, including seven harpsichords, housed in its own building on Laurel St. in uptown New Orleans. In that building is Musica da Camera’s office, library of over 9,000 books and scores of early music, 4,000 CDs, rehearsal space and living quarters of Thaïs St. Julien (with her 3 cats), Milton’s co-director for Musica da Camera.

Equal to his passion for early music (particularly medieval and early Renaissance) is his passion for the music of Richard Wagner. He is an expert on Wagner with a deep knowledge of all of the composer’s operas, both German texts and scores, knowing all of them from memory. While still in high school, he taught himself German so that he could understand Wagner's librettos.

His third great passion is magic, as a performing art. He is a member of the Knights of Slights, and former or current officer of local chapters of the Society of American Magicians and the International Brotherhood of Magicians. Mentalism is his specialty; his performances have often made audience members more than a little uneasy about the transparency of their thoughts.

When not doing any of the above, he sleeps very soundly at night.

Ways to Connect

This Continuum presents a program of early English music performed by a unique ensemble known as The King's Noyse, the leading North American Renaissance-style violin, viola and cello ensemble.

One of the major American early music ensembles, The Baltimore Consort, was founded in 1980. On this Continuum your'll hear a wide variety of excerpts from three of their CDs, featuring the female singer, Custer LaRue, who specializes in Renaissance music and traditional Folk music.

A very large repertoire of Sephardic music is available on CD recordings. Continuum is pleased to present a wide selection of Songs of the Sephardim from their library performed by three recognized ensembles who play this music expertly.

This Continuum is a program devoted to the various aspects of medieval love. The performers are three noted ensembles specializing in early music, namely our own New Orleans Musica da Camera, Sequentia and the Boston Camerata. Recordings used are Maiden, Mother, Muse (New Orleans Musica da Camera) - Centaur CRC 2434, Dante and the Troubadours (Sequentia) - Deutsche Harmonia Mundi 05472-7727-2, and Tristan et Iseult (The Boston Camerata) - Erato ECD 75528. 

The Folger Consort is one of the oldest early music ensembles in the U.S. Its home base is the Folger Shakespeare Library in Washington DC containing the largest Shakespeare collection in the world. 

This Continuum program features three famous singers of the past performing songs from the early music repertoire. The singers are countertenor Alfred Deller, mezzo-soprano Jan DeGaetani and soprano Victoria De Los Angeles. They present a variety of early music selections recorded about forty years ago.

Continuum presents a program devoted Renaissance flute music from the 16th century, specifically, from the Chanson Musicales, printed in Paris in 1533 by the famous French printer, Pierre Attaingnant. Copies of actual Renaissance wooden flutes are used by the ensemble, Zephyrus Flutes, directed by Nancy Hadden. A Renaissance lute is added in a number of the selections. The recording used is: Pierre Attaingnant - Chansons Musicales, Paris 1533. (Zephyrus Flutes) ZF001.

This Continuum presents music by the 15th century French composer, Johannes Ciconia. Beside composing music he was also a music theorist of the late Middle Ages. He was born in Liège, but worked most of his adult life in Italy, particularly in the service of the papal chapel(s) and at Padua cathedral. The Chansonnier Cordiforme dates from the 1470s and is a heart-shaped manuscript containing 43 songs of Dufay, Binchois, Ockeghem, Busnoys and others including several unica.

Continuum presents a program devoted to the music of Guillaume Dufay, who was a Franco-Flemish composer and music theorist of the early Renaissance and the most important composer of his time.

He belonged to the group of composers known as the Burgundian School. Dufay had more influence on music in Europe than any other composer of the 15th century and is considered the first major composer of the beginning of the Renaissance period.

Continuum presents a program of early music from the Ars Subtilior period, a musical style characterized by rhythmic and notational complexity, centered in Paris, Avignon in southern France, and in northern Spain at the end of the 14th century. The style is found also in the French Cypriot repertory. The music of this period is highly refined, complex, very difficult to sing and perform, and probably was produced, sung and enjoyed by a small audience of specialists and connoisseurs. The recording used is: Ars Subtilior - Dawn of the Renaissance (Various performers) - Century 5 - Vol. 7.

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