Fifty years ago, a young pitcher won his first major league game for the New York Yankees. Jim Bouton went on to become a top-flight player.
But he became famous, or notorious, for Ball Four, a memoir that described the petty jealousies on the team, as well as camaraderie, raucous tomcatting, game-winning heroics, routine drug use and the pain professional athletes endure.
Thirty years ago, CEOs of America's largest businesses earned an estimated 42 times as much as their average employee. These days, that number has jumped to more than 200 times as much, by many counts. Since the economic crisis of 2008, there has been much more focus on income inequality, not just from economists and social scientists, but also from politicians and from protesters who occupied Wall Street.
Sen. Joseph Cantwell, played by Eric McCormack (left), is an ambitious striver who throws mud at his rival, Secretary William Russell, played by John Larroquette, who debates whether to use some dirt of his own in The Best Man.
Perhaps most recognizable for his role as despicable but lovable lawyer Dan Fielding on Night Court, John Larroquette has recently taken to the stage. He earned a Tony Award for his role in the 2011 production of How to Succeed in Business Without Really Trying.
In short, pitcher Brandon McCarthy sent out a tweet that suggested the "Kiss Cam" — a feature shown on scoreboards across the country in which a camera focuses on couples in hopes of a kiss — was anti-gay.
A migrant Florida tomato grower and member of the Coalition of Immokalee Workers drinks from a jug of water. As part of a larger discussion of societal thinking about debt, Payback looks at the sometimes harsh treatment by companies of migrant workers.
"Crime doesn't pay" is one of the hopeful cliches Margaret Atwood invokes in her essay collection Payback: Debt and the Shadow Side of Wealth.
Of course it does, filmmaker Jennifer Baichwal shows in Payback, a documentary that riffs on Atwood's themes. But crime doesn't always pay, and perhaps it will pay less well in the future. At least that's the suggestion made by the on-screen commentators who expand on Atwood's original theme.