Originally published on Thu April 26, 2012 9:28 am
When it comes to electronic music production, there are a bunch of ways tracks can be made. There's the "arranging digital samples" approach, where producers layer pre-recorded sounds or loops to compose a piece. There's the "analog to digital" approach, where a producer will play analog synthesizers or program drum machines and feed them into a digital audio work station like Ableton. And there's what I'll call the "organic to digital" approach, where producers record more conventional instruments and then process the results in a computer.
Although a few radical composers had no use for opera in the mid-20th century (like Pierre Boulez, who infamously advocated blowing up the world's opera houses), the art form in Europe brushed itself off and began to thrive again after World War II.
Most people who haven't been living under a rock are aware of the newspaper industry's precipitous decline. And even the least media savvy surface dwellers could guess that this sorry state of affairs has disproportionately impacted arts journalism.
On this episode of the Berlin Journal, Brittani Sonnenberg, editor of the Berlin Journal magazine, speaks with author and American Academy fellow, Karen Russell, about her new book of short stories, tentatively titled Vampires in the Lemon Grove.
Author Tara Bray Smith speaks with American Academy fellow, poet, and philosopher, Richard Deming.
A lecturer in English at Yale University, Deming says his job is to spur students to reflection and to see the extraordinary in the ordinary.
Originally published on Tue April 15, 2014 2:48 pm
Tchaikovsky: String Quartet No. 1 in D Major, Op. 1
Shostakovich: String Quartet No. 7 in F-sharp minor, Op. 108
Smetana: String Quartet No. 1 in E minor, "From My Life"
If you haven't yet heard the Pavel Haas Quartet, buckle your seat belt. This smart, incisive group from Prague with an ultra-warm sound and a sure sense of rhythmic play has been collecting accolades by the fistful ever since they burst onto the international scene six years ago.
Canadian singer-songwriter Kathleen Edwards is enjoying a huge career boost with her new fourth album, Voyageur. Produced in part by Justin Vernon of Bon Iver, Voyageur sounds deeply personal and genuine: Edwards sings of failed marriages, life in the spotlight and the delicate happiness that comes with new beginnings.
Just because you're paranoid doesn't mean they're out to get you.
That could be the motto this week for abortion rights groups that immediately sprang into battle mode when it was discovered that Siri, Apple's new artificially intelligent personal assistant, wasn't so, well, intelligent when it came to abortion.
It turns out, however, that it was all much ado about not so much.