Originally published on Fri April 27, 2012 11:05 am
Thirty years ago, CEOs of America's largest businesses earned an estimated 42 times as much as their average employee. These days, that number has jumped to more than 200 times as much, by many counts. Since the economic crisis of 2008, there has been much more focus on income inequality, not just from economists and social scientists, but also from politicians and from protesters who occupied Wall Street.
Originally published on Fri April 27, 2012 9:38 am
Perhaps most recognizable for his role as despicable but lovable lawyer Dan Fielding on Night Court, John Larroquette has recently taken to the stage. He earned a Tony Award for his role in the 2011 production of How to Succeed in Business Without Really Trying.
In short, pitcher Brandon McCarthy sent out a tweet that suggested the "Kiss Cam" — a feature shown on scoreboards across the country in which a camera focuses on couples in hopes of a kiss — was anti-gay.
"Crime doesn't pay" is one of the hopeful cliches Margaret Atwood invokes in her essay collection Payback: Debt and the Shadow Side of Wealth.
Of course it does, filmmaker Jennifer Baichwal shows in Payback, a documentary that riffs on Atwood's themes. But crime doesn't always pay, and perhaps it will pay less well in the future. At least that's the suggestion made by the on-screen commentators who expand on Atwood's original theme.
Host Jessica Harris speaks with Zainab Salbi, the founder of Women for Women International, an organization that provides support to women in war zones worldwide. Harris also speaks with Travis Kalanick, the CEO of Uber, an app that orders, pays for, and tracks a car service.
Originally published on Thu January 3, 2013 1:03 pm
Rosi Golan makes her first appearance on Mountain Stage, recorded live in Charleston, W.V. Born in Israel, Golan learned to speak French, English and Hebrew during her travels. But she didn't pick up a guitar until she was 19, after hearing a radio commercial advertising a sale at a local Guitar Center. Golan hasn't looked back, writing and singing songs for more than 10 years and cultivating her ear for dark, haunting melodies.