This week on Continnum Milton Scheuermann and Thais St. Julien present a program of early music featuring four CDs whose names begin with "La".
No, they're not all CDs of vocal music, but a conglomeration of early music from various sources featuring various ensembles. The CDs used are: La Folia (Jordi Savall et al) Alia Vox AV9805; La Messe des Fous (Barry Harward Consort) BNL BNL112746; La Dolce Vita (King's Singers & Tragicomedia) EMI CDC 7 54191 2; and La Bele Marie (Anonymous 4) Harmonia Mundi HMU 907312.
Meschiya Lake & The Little Big Horns have been playing together as a band since 2009. But their repertoire suggests a much longer, deeper history, dating back to the early part of the last century, when people were buying phonographs and drinking absinthe in its original form.
It's a two-hour tribute in song and story to the Man in Black. We'll hear from his family, friends and associates on the contradictions--preacher, outlaw, loving family man, rockabilly rebel--that made the man.
This week on Continnum Milton Scheuermann and Thais St. Julien present early music of the Ars Subtilior (more subtle art). This is a musical style characterized by rhythmic and notational complexity, centered in Paris, Avignon in southern France, also in northern Spain at the end of the fourteenth century.
Performers include Ensemble Organum, The Orlando Consort, and The Huelgas Ensemble. The music is from the CD Harmonia Mundi - Century 7, from the ten CD set of Early Music on the Harmonia Mundi label.
We talk to three soul singers from the formative era of the mid-1950s through Motown of the late-60s and an all-female New Orleans brass band. Justine "Baby" Washington talks about growing up in Harlem and her hits "The Times," "Nobody Cares," and "That's How Heartaches Are Made." Maxine Brown started as teenager in NYC singing with gospel groups.
This week on Continnum Milton Scheuermann and Thais St. Julien present examples of the first forms of polyphony, music composed for two or more melodies performed at the same time. Various examples are presented, including 12th Century Polyphony in Aquitaine, music from the 12th century School of Notre Dame, hockets from the 13th century Bamberg Manuscript, and motets from the 13th century Montpellier Codex.
From the earliest days of motion pictures, music has played a crucial role in setting the mood for movies. Just take a look at the clip (above) of the final moments of Charlie Chaplin’s 1936 film “Modern Times.”
It’s hard to imagine that scene without the song “Smile.”
Time for some "Fire on the Bayou" at a rare reunion of New Orleans' funk jam band and studio wizards, The Meters on stage at the Howlin' Wolf. Then Drive-By Truckers bring their poetic and critical style of Southern rock a la Muscle Shoals, Alabama to New Orleans' historic Civic Theatre.
This week on Continnum Milton Scheuermann and Thais St. Julien present music from the collection of over 300 dances by the German composer Michael Praetorius (1571-1621).
He published these under the name "Terpsichore", after the Greek Muse of the Dance. Included also are a few dances by the English contemporary of Praetorius, composer William Brade (1560-1630). The Capriccio Stravagante Renaissance Orchestra performs under the direction of Skip Sempe.