After the crowd goes home, after they pack their gear and instruments, when their van rolls through the night and the smell of smoke still lingers on their clothes, the bottom line remains. The business of music never sleeps.
Artist royalties, mechanical royalties, revenue streams and recording contracts occupy the minds and sleepless nights of managers and artists the country over as they head to their next gig.
You could fill a college course with everything an artist needs to know. Trust us, they have.
Singer-songwriter Iris DeMent returns to the landscape and soundscape of her youth, the Arkansas Delta. We'll speak with Iris about her musical homecoming, and listen in on an exclusive solo piano performance of her most recent songs. Then we catch up with the Lafayette punk and rockabilly-inflected Cajun band, the Lost Bayou Ramblers, fronted by brothers Andre and Louis Michot, who can count Gordon Gano (of the Violent Femmes) as a collaborator and fan.
This week on Continnum, Milton Scheuermann and Thais St. Julien present a live recording of the concert by New Orleans Musica da Camera, Jongleur, Jester, Trickster, performed on 25 March 2012 at St. Andrew's Episcopal Church from their CD of the same name (Belle Alliance BA 006).
There's also a closing Estampie dance by New York's Ensemble for Early Music from the CD, Istanpitta II (Lyrichord EMS 8022).
The poetics of pickup trucks and cutoffs are not lost on Jim McCormick. Nor are the subtleties of Trans Ams and the beverage choices of the young and hay-baling set. And that’s how it should be for a poet-turned-Nashville songwriter.
A New Orleans native (and still occasional resident), McCormick penned two of 2012′s number one songs on the country charts. But all that success — and it is considerable — hasn’t gone to his head. He’s stayed humble. And funny. And grateful for the collaborations and to the mentors through the years.
Tune in for a tribute to the man who melded gospel, soul and pop in music and life, Sam Cooke. We'll follow the singer from Clarksdale to Chicago and from the church to the Copa as he revolutionized gospel music with the Soul Stirrers and then secular music with self-penned hits "You Send Me," "Change is Gonna Come," and more. Plus an hour of the musical roots and branches of Sam Cooke.
This week on Continuum, Milton Scheuermann & Thais St. Julien celebrate the music of the ensemble Sequentia with A Sequentia Festival, using the CDs Spielmann und Kleriker by Sequentia (DHM 7 49704 2 ), Oswald von Wolkenstein - Songs by Sequentia (DHM 05472-77302-2), and Trouveres by Sequentia (DHM 77155-2-RC).
This fall, the 24-year-old Don Jamison Heritage School of Music will move into its first permanent home on Rampart Street, across from the French Quarter. The building’s façade is being sanded and painted for a December opening.
“All the classrooms are gonna have recording equipment so we can record each class,” says Derek Douget, the school’s coordinator of music education since 2010. “We have a state-of-the-art stage where we can do performances at the end of the week.”
It’s easy to tease out the artists who’ve inspired A.J. Croce’s singing over the years — Ray Charles, Paul McCartney, Buddy Holly, even Ray Davies of The Kinks. He loves early rock n roll and R&B. So perhaps it’s ironic that A.J. rarely sounds like his father, singer-songwriter Jim Croce, who made his mark on music in the late 1960s and early 70s.
With nine albums to his credit and more than 20 years as a touring musician, A.J. Croce is his own man, performing his own music. And a devoted fan base has shown its appreciation for the genre-busting of the younger Croce.