music

For the first ever live recording of Music Inside Out, Gwen caught up with the prodigious and prolific Chris Thile at the George and Joyce Wein Jazz and Heritage Center. He’s barely 36 years-old, but already boasts a lifetime’s worth of achievements. He started learning mandolin as a kindergartener. Three years later, he co-founded the platinum-selling Nickel Creek with his friends Sara and Sean Watkins. The band would become a groundbreaking force in acoustic music.

Danny Barker (1909-1994) was born into that generation of musicians whose lives reflected the arc of jazz from men blowing horns atop mule-drawn wagons to the world stage. From New Orleans to New York and back again, he managed to be both a witness and participant in the evolution of the music.

Despite the throngs of tourists and ever-growing parade of festivals, New Orleans’ nightlife can be surprisingly intimate. The corner bar is often the anchor of a neighborhood’s social life, where friends, strangers, and familiar faces can share drinks, stories, dreams, and failures.

This week on Continuum you'll hear excerpts from the Feast of Fools, a post-European Christmas event dating from the Middle Ages. Occurring between Christmas and Epiphany, this celebration was marked by much license and buffoonery. The clergy and the laity traded places for a day and interesting things happened, particularly in The Mass of the Ass.

You'll hear it from these CDs: The Feast of Fools (The New London Consort) L’Oiseaus-Lyre 433 194-2, and La Fete de L'Ane (Clemencic Consort) Harmonia Mundi HMT 7901036.

Big Freedia, the Queen Diva of Bounce, has done more than any other artist to bring the unmistakable New Orleans hip-hop sound to the world. His output is as unrelenting as the bounce beat, with singles, EPs, videos, all-star collaborations, LGBTQ rights advocacy, and a reality television show now entering its sixth season.

On this Continuum you'll hear a special program of early Christmas music performed by the New Orleans Musica da Camera. This is music from their CD, Natus Est, directed by Continuum hosts Milton Scheuermann and Thais St. Julien.

Xavier Badosa / Flickr (CC BY 2.0)

People love talking about the weather. And we did a lot of talking during this year's busy hurricane season. Turns out the weather has a way of showing up in music — but less now than it used to.

 

WWNO’s Travis Lux talked with Paul Williams, an atmospheric scientist at the University of Reading in the UK, who studies how musicians write about the weather. He hopes climate change will inspire more weather-related music.

 

This week, we bring you that funky gentleman from the Ninth Ward, Jon Cleary, who talks about his native England, his grandmother, the piano back home, his mum’s songwriting chops, and a variety of other loves.

Cleary grew up listening to New Orleans soul, r&b and funk. And now, we listen to him.

As a multi-instrumentalist and sideman, he’s played with some of the best artists, including Earl King, Bonnie Raitt, Dr. John, Snooks Eaglin, Ernie K-Doe and Walter “Wolfman” Washington. But Cleary is even better fronting his own band and digging into his own groove.

This week, Continuum presents a program of medieval Christmas music, most of which is unknown to modern day listeners. Beginning with Aquitanian selections of the 12th century, the program progresses through the Italian, Spanish and German repertoire, ending with a selection of 15th century English carols.

Within Buddhist traditions, “samsara” refers to the karmic cycle of rebirth that a being must travel through on their journey towards enlightenment. While in some traditions this can take many lifetimes to complete, others maintain that, for certain exceptional people, the transformative process can happen within a single lifetime.

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