music

Intermusica

WWNO2 classical host Farrar Hudkins talks with Louisiana Philharmonic Orchestra Music Director Carlos Miguel Prieto about this year's collaboration with the Historic New Orleans Collection, a concert called "New Orleans and the Spanish World."

Catch the free concert at St. Louis Cathedral on Wed., Feb. 4 at 7:30 p.m., and streaming live on 89.9 WWNO and WWNO.org.

Denny Culbert via John Sellards Design

Songwriters talk about a song being “honest.” And according to David Egan, that’s all about telling the truth about our battles and our triumphs — our loves and losses.

“We write music for grownup people,” he says. “Grownup music for grown-ass people.”

They’re the people you might see at the gas station, or in the grocery store. Or in the mirror.

A program of Renaissance sacred music is featured this week on Continuum.

A few of the composers that you will hear from are Josquin des Prez, Clement Janequin, Thomas Tallis, Gesualdo, and Cipriano de Rore.

The music is from the Century CD collection, History of Early Music. Various performers are on this Volume 8 of the complete Century CD ten volume set.

New Orleans music didn't do as well in the 1960s, a few hits notwithstanding, as it had done. Musicians left town, major labels lost interest, and Motown and Memphis took over the black music charts. Nonetheless, the late Cosimo Matassa, who owned the only recording studio in town, kept busy. Fresh Air rock historian Ed Ward has the story today.

Music Inside Out

At first, there wasn’t a name for the kind of music that Fats Domino played.

He called it rhythm and blues. But Domino’s songs stretched beyond that category.

In the late 1940s, Domino was working at a mattress factory in New Orleans and playing piano at night. He’d just gotten married… and both his waistline and fan base were expanding. That’s when the bandleader Billy Diamond first called him “Fats” — and predicted he’d have an outsized career.

duppy5446 / Flickr

The city of New Orleans is offering musicians a chance to learn the business side of the industry at the "Y'Heard Me? Music Business Summit" on Saturday.

The free conference, to be held from 12 p.m. to 3 p.m. at the Ellis Marsalis Center, will give aspiring musicians the opportunity to learn from industry professionals about copyright and intellectual property law, artist management and goal setting, fan engagement and Internet marketing, licensing music to motion pictures, and small business development.

This week on Continuum you'll hear a program of the music of Bach. Two of the six Suites for Solo Cello will be performed by the outstanding cellist, Tess Remy-Schumacker. And excerpts from the motet repertoire of the composer will round out the program.

The music is from the two CDs: Suites for Cello Solo: Nos. 1, 2 & 3 (Tess Remy-Schumacheer) Xolo1011, and Johann Sebastian Bach Motetten (The Hilliard Ensemble) ECM 1875.

Fantail Media / Flickr

There’s a reason why lions prefer the company of other lions. Just ask Reggie Scanlan. As a bass player, Scanlan worked with James Booker and Professor Longhair before starting a 33-year run with the Radiators. He’s now in a band of all-stars called the New Orleans Suspects.

Laurie / Flickr

Elton John, The Who, Tony Bennett and Lady Gaga will headline this year's New Orleans Jazz and Heritage Festival.

The festival annually draws hundreds of thousands to New Orleans for two weekends of jazz, blues, Cajun, zydeco and gospel. The lineup draws heavily from Louisiana but it's accented with national acts. This year they will also include No Doubt, Keith Urban, Pitbull, John Legend, Ed Sheeran and Chicago.

Two of the most famous Renaissance composers of dance music were Michael Praetorius (1571-1521) and Tielman Susato (c.1510-1570). This week on Continuum you'll hear a wide selection of this highly spirited music.

Performing will be the famous New York Pro Musica and the New London Consort. The music by the New York Pro Musica is from a 1950s sound track of an early video of this most famous early music ensemble. CDs used are: Praetorius/Susato (New York Pro Musica) L’Oiseau-Lyre 436 132-2, and Tielman Susato: Dansereye (New London Consort) Universal UMD 80565.

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