Opinions about Dirty Projectors couldn't be more divided. At a recent NPR Music listening party, audience members gave the band's new album, Swing Lo Magellan, both very high marks and very low marks. It was a genuine split decision.
Intrigued, weekends on All Things Considered spoke with Dirty Projectors bandleader Dave Longstreth to figure out why. One thing became clear pretty quickly: Longstreth and Dirty Projectors take a lot of risks.
It's been over a week since scientists announced that they've found the Higgs boson particle. It's an important discovery. They say that although the Higgs boson particle is small - or, come to think of it, perhaps because of it - it holds the universe together. But for all the publicity the particle's received, how many of us could explain what it actually does? Well, here's the announcement from scientists in Switzerland.
Buzz has been building. There were standing ovations when Milo Greene toured with The Civil Wars. Esquire magazine put Milo Greene on its list of artists to watch in 2012, and Milo Greene will perform songs from its debut album on David Letterman's show later this month. But this budding star is probably not who you think he is.
It now seems like a natural rite of summer — open-air classical music festivals where audiences can hear great music while picnicking under the stars. But 75 years ago, when the Boston Symphony first performed on a former estate called Tanglewood in the Berkshire Mountains of Western Massachusetts, it was a novel idea.
Grammy-winning jazz singer Harry Connick Jr. will host and perform in a television variety show that pays tribute to the music of Louisiana and the industries that have shaped its culture and history.
The show, a Louisiana Public Broadcasting special set to air in December, will be available to PBS affiliates nationwide next year and will include performances of "You Are My Sunshine" in genres such as Cajun, zydeco, jazz and blues.
On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.
Deacon John's mother wanted him to be a singer, but she hated rock 'n roll.
Mrs. Moore's little boy picked up a guitar, and it wasn't long before rock 'n roll came tumbling out. His bandmates named him Deacon John. But he also recorded at least one song under the name Johnny Moore. Deacon John's early recordings were high energy and danceable, just like his stage show. But "You Don't Know How (To Turn Me On)" and "Haven't I Been Good To You," signaled only a fragment of what the Deacon could do.