If there was any doubt that The dB's have any use for being considered through the haze of memory, or limited to the misty fondness from fans who remember them from the early 80s, the blast that opens their new album Falling Off the Sky, a song called "That Time Is Gone," could not be more explicit. Group leaders Peter Holsapple and Chris Stamey, along with drummer Will Rigby and bassist Gene Holder, are taking back their sound after 30 years, sprucing it up and re-exploding it for the days we live in now.
One of the exciting new programs coming to the WWNO schedule in July is the locally-produced Music Inside Out — which is being developed and put together by a talented, experienced radio team, including former Times-Picayune and NPR reporter and editor Gwen Thompkins.
Thompkins is a New Orleans native who grew up in the Pontchartrain Park neighborhood with a deep love of music.
"These ideas of mine / percolate the mind," Fiona Apple sings in "Every Single Night," the song that opens her new album, The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do. Some people are going to listen to the entire record and come away with the feeling that the percolation in Apple's mind has bubbled over like a coffee pot left on a stove too long. But for me and perhaps for you, Apple's bubbling thoughts, words and music are thrilling — eager and direct, heedless about being judged or misunderstood.
Originally published on Tue September 18, 2012 3:46 pm
Whether it's learning saxophone in school band, taking Saturday piano lessons, or participating in a top-flight youth orchestra, there are tens of millions of kids in the United States learning to play instruments. Way back in 2003, Gallup pollsters figured that at least 84 million Americans play an instrument — and at least a third of those players were then between the ages of 5 and 17.
Jazz has evolved into a genre of music that incorporates many distinctive styles since it began on the streets of New Orleans a hundred years ago. Often, the key to its evolution is cross-cultural cooperation.
On this week's Notes from New Orleans, we'll hear from the leader of a French jazz group that has returned to Louisiana in pursuit of his persistent desire to collaborate.
Ice-T, the rapper and actor, wants people to think about the craft of making rap music. He has directed and starred in a documentary called Something From Nothing: The Art of Rap that takes viewers from Harlem into the South Bronx, to Detroit and South Central Los Angeles. In the film, Ice-T talks to musicians like Doug E.
Originally published on Tue September 18, 2012 6:40 pm
I'm spending June in New Orleans, digging into the soft wet earth of American music. A week in, I feel like I've barely begun to explore. The minute I try to say what draws me to New Orleans music, I realize that the core of it is always changing. It's not just the variety, though I love that in the first few days here, I caught classic blues on Frenchmen Street, a wild bounce night downtown, my longtime favorite Susan Cowsill singing Dusty Springfield covers in the Garden District, and a brass band on the corner in the French Quarter.