New Orleans music didn't do as well in the 1960s, a few hits notwithstanding, as it had done. Musicians left town, major labels lost interest, and Motown and Memphis took over the black music charts. Nonetheless, the late Cosimo Matassa, who owned the only recording studio in town, kept busy. Fresh Air rock historian Ed Ward has the story today.
The city of New Orleans is offering musicians a chance to learn the business side of the industry at the "Y'Heard Me? Music Business Summit" on Saturday.
The free conference, to be held from 12 p.m. to 3 p.m. at the Ellis Marsalis Center, will give aspiring musicians the opportunity to learn from industry professionals about copyright and intellectual property law, artist management and goal setting, fan engagement and Internet marketing, licensing music to motion pictures, and small business development.
This week on Continuum you'll hear a program of the music of Bach. Two of the six Suites for Solo Cello will be performed by the outstanding cellist, Tess Remy-Schumacker. And excerpts from the motet repertoire of the composer will round out the program.
The music is from the two CDs: Suites for Cello Solo: Nos. 1, 2 & 3 (Tess Remy-Schumacheer) Xolo1011, and Johann Sebastian Bach Motetten (The Hilliard Ensemble) ECM 1875.
There’s a reason why lions prefer the company of other lions. Just ask Reggie Scanlan. As a bass player, Scanlan worked with James Booker and Professor Longhair before starting a 33-year run with the Radiators. He’s now in a band of all-stars called the New Orleans Suspects.
Elton John, The Who, Tony Bennett and Lady Gaga will headline this year's New Orleans Jazz and Heritage Festival.
The festival annually draws hundreds of thousands to New Orleans for two weekends of jazz, blues, Cajun, zydeco and gospel. The lineup draws heavily from Louisiana but it's accented with national acts. This year they will also include No Doubt, Keith Urban, Pitbull, John Legend, Ed Sheeran and Chicago.
Two of the most famous Renaissance composers of dance music were Michael Praetorius (1571-1521) and Tielman Susato (c.1510-1570). This week on Continuum you'll hear a wide selection of this highly spirited music.
Performing will be the famous New York Pro Musica and the New London Consort. The music by the New York Pro Musica is from a 1950s sound track of an early video of this most famous early music ensemble. CDs used are: Praetorius/Susato (New York Pro Musica) L’Oiseau-Lyre 436 132-2, and Tielman Susato: Dansereye (New London Consort) Universal UMD 80565.
Continuum this week will present a special New Year's program of early music, both sacred and secular.
The sacred music is primarily from the Manuscrit du Puy which brings together a varied group of Aquitanian monodic and polyphonic chants for the New Year from the 12th to the 16th centuries. The secular music will be spirited French estampie dances of the 14th century.
The day we visited Tom McDermott’s home, the sound of James Booker’s “Classified” greeted us. It was a sweet gesture: walking into a man’s home to the sound of your radio show’s theme music.
McDermott knows how to communicate with a piano.
Blame it on Rio… and ragtime. McDermott has a piano playing style that smacks of sweet melodies, savory harmonies, and spicy Brazilian rhythm. And he serves up all three this hour. Pull up a chair, and enjoy.