Continuum this week will present part two of a program devoted to music from Ottaviano Petrucci's historic music publication, "Harmonice Musices Odehcaton," the first printed sheet music document, published in 1501.
The performers will be New York Pro Musica and the ensemble Fretwork. CDs used are: Petrucci - The First Printer of Music (New York Pro Musica) - copy of LP Decca Records DL 79435 and Harmonice Musices Odehcaton (Fretwork) - Harmonia Mundi HMU 907291.
This week on Inside the Arts, the 4th annual Birdfoot Festival gets underway. Chamber music will fill venues across the city. The festival will also mark the 10th Anniversary of Hurricane Katrina with Waterlines: A Hymn for New Orleans, a musical journey incorporating spoken word and poetry.
Then, the New Orleans Opera Association is launching a youth vocal competition targeting sophomores, juniors and seniors in high schools across Louisiana.
And, Central City remembers favorite son and nationally acclaimed sculptor Jeffrey Cook with an exhibition and reception.
Continuum this week will present a program of dances from medieval times to the present performed by a wandering minstrel ensemble called "Wolgemut."
The name is from an old German word meaning "being in a good mood." All of the dances feature early instruments such as bagpipes, rauschpfeife, recorders and medieval drums and percussion. The recording used is Danza - GEMA w-cd 003.
Since the debate over the noise ordinance came to a standstill last April, live music advocates and neighborhood groups are stuck with an unlikely piece of legislation to deal with sound in the city: zoning.
It’s early evening on Frenchmen Street, and the doors of this bar are wide open. Tourists are drifting in and out, and the music is free. It’s also illegal.
For immersive music and sound experiences, New Orleans offers any number of clubs and festivals. There’s also The Music Box. It’s a collection of eccentric little houses, each one a sort of musical instrument.
This roving village will be at its City Park installation through Sunday, May 10 (this Mother's Day weekend) with performances conducted by Arto Lindsay the evenings of May 8 and 9. It’s the creation of art collective New Orleans Airlift.
Tonight on Jazz New Orleans with Fred Kasten (8 p.m. – 10 p.m. Central on 89.9 WWNO and streaming live at wwno.org) – An extended conversation with bass great Christian McBride, our Jazz New Orleans “Player of the Week” – and will play Jazz Fest with his Big Band, featuring vocalists Dianne Reeves and Jeffrey Osborne, on Sunday, May 3.
Onstage, they don’t look like a traditional rock ‘n roll band. Sure, the seven members of Sweet Crude are kinda young and kinda scrawny and their clothes suggest a GAP-meets-Garanimals flare.
But they carry no guitars. Five of them play percussion. And yes, there’s a glockenspiel in the mix.
Sweet Crude sounds different too. They produce a sophisticated mixture of rhythm, classical strings, and musical theater that’s highly danceable and even educational. That’s because the band sings in English and Louisiana French – a language they’re learning on the job.