How Blue Can You Get?

Oct 7, 2016

CLM 4660 is the library call number for the Carmina Burana (Latin for "Songs from Beuern") manuscript now housed in the Bavarian State Library in Munich. The collection was found in 1803 in the Benedictine monastery of Benediktbeuern, Bavaria. This Continuum presents a wide variety of musical selections from this important medieval document of poems and dramatic texts mostly from the 11th or 12th century written principally in Medieval Latin; a few in Middle High German, and some with traces of Old French Provencal.

This Continuum program presents three recorder concertos composed by three important contemporary English composers. They are: Richard Harvey, Sir Malcolm Arnold and Gordon Jacob.

This Continuum presents a program of early music related to a number of important Kings of the past, including King Rene, Henry VIII, Richard the Lion-Hearted and a few more. Performers include a number of well-known early music music ensembles. Recordings used are: At the Court of King Rene (Ensemble Perceval) - Arion ARN 68104, Henry VIII and His Six Wives (Early Music Consort of London) - Testament SBT 1250, Music for the Lion-Hearted King (Gothic Voices) - Hyperion CDAA66336, and The King’s Musick (Ricercare für Alte Musik, Zurich) - EMI 724382648826.

Continuum presents a recording by the Norwegian female vocal ensemble, Trio Mediaeval. The title Ladymass refers not to the female singers but to the mass’s association with the Assumption of the blessed Virgin. In fact, it is extremely unlikely that women would have performed this music originally. It was written by and for the 13th century Benedictine monks of the Abbey of St. Mary’s, in Worcester, England. Recordings used are: A Worcester Ladymass (Trio Mediaeval ) - ECM New Series 2166, and, O Greenest Branch (New Orleans Musica da Camera) - Belle Alliance BA002.

The Flanders Recorder Quartet from Belgium has been playing concerts since 1987. They are one of the most recognized recorder quartets performing today. This Continuum program presents excerpts from their CD, Magic. They are joined by some of their close early music friends. Recorders used vary from six inches long to seven feet tall. The CD used is Magic - Opus 111 OPS 30-272.

The 1928 silent movie film, “The Passion of Joan of Arc”, greatly inspired American composer Richard Einhorn to write his monumental oratorio, “Voices of Light” in 1994. This Continuum presents a recording of a major portion of that work performed by Anonymous 4, other vocal and instrumental soloists with the Netherlands Radio Choir and Radio Philharmonic. Recordings used are: Voices of Light (Anonymous 4 et al) - Sony Classical SK 62006, and A l’Estampida (Dufay Collective) - Continuum CCD 1042.

Guests on this week's show.
Music Inside Out

In case you’re wondering — yes, this is a Best of Music Inside Out program. But the topic is universal. The songs we hear as children — even the ones we don’t like — help shape our feelings about the music we love as adults.

Nearly all of the guests who’ve appeared on Music Inside Out have talked about the songs they heard growing up. And those early songs and artists are partially responsible for the unique and varied musical landscape of Louisiana. What goes into little ears often helps build music careers. And, for that, we are grateful.

This Continuum presents a program featuring the female vocal ensemble known as “Tapestry”. The Boston-based vocal group was founded by member Laurie Monahan in the 1980s and combines a repertoire of music from the medieval to the contemporary periods. This program features the recordings “Sapphire Night”, “The Fourth River’, and “Song of Songs Come into my Garden”. The so-named Tapestry recordings used are: Musikproduction MDG 344 1193-2, Telarc CD-80534, and Telarc CD

This Continuum program is devoted to the music of the Ars Subtilior (subtle art), an early musical style characterized by rhythmic and notational complexity, centered in Paris, Avignon in southern France, also in northern Spain at the end of the fourteenth century and in southern France in the 14th century. Often the term is used in contrast with Ars Nova, which applies to the musical style of the preceding period from about 1310 to about 1370.