This week on Continnum Milton Scheuermann and Thais St. Julien present examples of the first forms of polyphony, music composed for two or more melodies performed at the same time. Various examples are presented, including 12th Century Polyphony in Aquitaine, music from the 12th century School of Notre Dame, hockets from the 13th century Bamberg Manuscript, and motets from the 13th century Montpellier Codex.
From the earliest days of motion pictures, music has played a crucial role in setting the mood for movies. Just take a look at the clip (above) of the final moments of Charlie Chaplin’s 1936 film “Modern Times.”
It’s hard to imagine that scene without the song “Smile.”
This week on Continnum Milton Scheuermann and Thais St. Julien present music from the collection of over 300 dances by the German composer Michael Praetorius (1571-1621).
He published these under the name "Terpsichore", after the Greek Muse of the Dance. Included also are a few dances by the English contemporary of Praetorius, composer William Brade (1560-1630). The Capriccio Stravagante Renaissance Orchestra performs under the direction of Skip Sempe.
This week on Continnum Milton Scheuermann and Thais St. Julien present a brand new recording by New Orleans born Skip Sempe, directing his Paris based Capriccio Stravagante and also the Collegium Vocale of Gent. The music is the Requiem Mass of Baroque composer Jean Gilles (1668-1705).
This music was performed at the funeral of famous Baroque composer Jean-Philippe Rameau, on 27 September 1764, 250 years ago. Rameau was one of the most famous of the French Baroque composers as well as a recognized music theorist of his time.
After the crowd goes home, after they pack their gear and instruments, when their van rolls through the night and the smell of smoke still lingers on their clothes, the bottom line remains. The business of music never sleeps.
Artist royalties, mechanical royalties, revenue streams and recording contracts occupy the minds and sleepless nights of managers and artists the country over as they head to their next gig.
You could fill a college course with everything an artist needs to know. Trust us, they have.
This week on Continnum, Milton Scheuermann and Thais St. Julien present a live recording of the concert by New Orleans Musica da Camera, Jongleur, Jester, Trickster, performed on 25 March 2012 at St. Andrew's Episcopal Church from their CD of the same name (Belle Alliance BA 006).
There's also a closing Estampie dance by New York's Ensemble for Early Music from the CD, Istanpitta II (Lyrichord EMS 8022).
The poetics of pickup trucks and cutoffs are not lost on Jim McCormick. Nor are the subtleties of Trans Ams and the beverage choices of the young and hay-baling set. And that’s how it should be for a poet-turned-Nashville songwriter.
A New Orleans native (and still occasional resident), McCormick penned two of 2012′s number one songs on the country charts. But all that success — and it is considerable — hasn’t gone to his head. He’s stayed humble. And funny. And grateful for the collaborations and to the mentors through the years.
This week on Continuum, Milton Scheuermann & Thais St. Julien celebrate the music of the ensemble Sequentia with A Sequentia Festival, using the CDs Spielmann und Kleriker by Sequentia (DHM 7 49704 2 ), Oswald von Wolkenstein - Songs by Sequentia (DHM 05472-77302-2), and Trouveres by Sequentia (DHM 77155-2-RC).