John Boutté is hard to intimidate. He may be the only guy who has ever told Stevie Wonder that his singing was flat. Boutté's observation, during a chance encounter with Wonder, changed his life for good. What's more, it made our lives better.
For more than 20 years, Boutté has built a career writing and performing his own songs, as well as re-interpreting the signature work of others. This week, Boutté tells Music Inside Out how he got so good at finding lyrics to suit his voice, his tenderness, his outrage and his legendary sass.
Jason Patterson returns to the WWNO studio to discuss upcoming plans for this season’s Jazz at the Sandbar.
Most may know Patterson for the managerial work he does at Snug Harbor, but he is also a part of a few non-profit organizations in New Orleans — including lending his talents to the New Orleans Jazz Celebration; a non-profit organization that he says acts as an umbrella organization helping to produce jazz series like A Nickel a Day and Jazz at the Sandbar.
Wessell "Warmdaddy" Anderson is one of the top alto saxophonists in jazz today.
A member of Wynton Marsalis's great late-1980s/early-90s septet — and longtime featured artist with the Jazz at Lincoln Center Orchestra — Anderson recently sat down with WWNO's Fred Kasten for a "Talkin' Jazz" interview at the Old U.S. Mint.