The New York Times' new executive editor, Dean Baquet, took over just two weeks ago, yet he appears perfectly comfortable in his perch atop the worlds of journalism and New York. He smokes fine cigars to relax, wears elegant loafers and excuses his decision to keep his suit coat on during our conversation by saying that's just who he is.
But Baquet's identity is wrapped up in a city and a different reality more than 1,000 miles away.
War brings countless injuries to the human condition. One of the most devastating consequences of conflict is disruption of basic medical services. These days it seems there are more and more stories on the radio and in newspapers about brave medical teams going into war-torn areas to treat the wounded and the needy.
On this week’s Notes from New Orleans, Sharon Litwin talks with one physician who calls New Orleans home when he’s not on a mission with Doctors Without Borders.
New Orleans is one of the country's most popular tourist destinations. There is no specific reason — there's no amusement park or beach — but like other great cities such as Paris and Manhattan, people come here to spend time just living like we do.
It's a week for Southern fiction on The Reading Life with Greg Iles, whose new thriller, the first in a trilogy featuring recurring character Penn Cage, is Natchez Burning; and New Orleans novelist Amy Conner, whose charming debut about female friendship is The Right Thing.
Plus, local artist Kenny Harrison talks about creating his new children's book series, The Hide and Seek Harry books.
Like most girls her age, Susan Cowsill watched The Partridge Family every week on television. But unlike most girls her age, she was related to the Partridges, albeit in a Hollywood kind of way.
The show was modeled after Cowsill and other members of her singing family.
In the 1960s and early '70s, The Cowsills were regulars on television, appearing with Ed Sullivan, Johnny Cash and on their own programs. They also had a string of top ten hits, including "The Rain, the Park and Other Things," and "Hair."
There are a lot of people these days claiming how well New Orleans is doing and that in business terms we're now competitive with almost any city in the country. If you'd like proof that this is fact, and not just feel-good boosterism, this edition of Out to Lunch might convince you.
What makes an artist into an entrepreneur? For jewelry designer Mignon Faget, it was less the kindness of strangers and more the assistance of friends. Mignon, now in her 81st year, still lives in the house she grew up in along Bayou St. John and is the subject of this week’s Notes from New Orleans.
This week on Inside the Arts, the Birdfoot Festival gears up for a week of live chamber music performances at venues across the city.
Then, we get a peek at an exhibit of pastel portraits celebrating notable New Orleans Free People of Color at Le Musée. And we round out with a classic American drama, Arthur Miller's Death of a Salesman.
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