Nicholas Payton is one brilliant musician. He plays just about everything on the bandstand very well. He’s best known for his trumpet work but is also a dynamic keyboard player, and even manages to play superbly on both at the same time.
In recent years Payton has added another tool to his kit: singing.
The Show “One Mo’ Time” went from humble beginnings as a homemade New Orleans labor of love with a single scheduled performance to a worldwide theatrical sensation that ran for years. Its creator, New Orleans actor Vernel Bagneris, has loved the idea of putting on a show from way back.
“Cousins of mine still laugh at the fact that they used to come over and I’d put on a show for them and play a little accordion and single a little bit with the few chords I knew on a piano and do plays and make them all do parts,” Bagneris remembers.
The second weekend of Jazz Fest kicked off to a soggy start today with festival goers donning ponchos and rain boots. In the spirit of locals’ day, I spoke to a festival veteran who has weathered his fair share of Jazz Fest storms. Chuck Blamphin began working as a stage manager 40 years ago and currently oversees the Fais Do Do stage. Needless to say, he has seen the festival undergo some significant changes throughout his storied tenure.
Trombonist Delfeayo Marsalis got a good lesson and lasting influence out of a teenage attempt to hornswoggle a new trombone from older brother Wynton. The lesson and the influence came in the form of a recording by trombone great J.J. Johnson.