Fans of Portlandia may recall a recent episode in which its main characters (played by Carrie Brownstein and Fred Armisen) get a good look at their new cleaning lady. They think the cleaning lady might be — and realize that it actually is — the singer-songwriter Aimee Mann.
In Paul Thomas Anderson's <em>The Master,</em> Amy Adams plays Peggy Dodd, the spouse of a charismatic spiritual leader, played by Philip Seymour Hoffman. Adams says her character is smart and educated but feels "more powerful behind a man than in front of a man."
Amy Adams has played a Disney princess, a puckish Amelia Earhart, an innocent young nun and a blogging Brooklynite who wants to follow the recipe for being Julia Child.
But she takes a more steely turn in her latest role in The Master, which has just opened in New York and Los Angeles. The film, written and directed by Paul Thomas Anderson, also stars Joaquin Phoenix and Philip Seymour Hoffman.
At 11 a.m. on a weekday, Calexico rehearses for its upcoming tour in a cramped studio on the south side of Tucson, Ariz. The stereotypical musician would just be getting up, but lead singer and songwriter Joey Burns has been up since dawn with his twin baby girls.
Trumpet player Jacob Valenzuela arrives late to the rehearsal — and that's because his washing machine broke and he had to deal with a small flood. Valenzuela grabs his trumpet as the band launches into "Splitter," the first single from Calexico's new album.
When jazz trumpeter Jeremy Davenport got off the road to take a lengthy engagement at the Ritz Carlton Hotel in New Orleans, he said no one seemed more surprised than his former boss — Harry Connick Jr. Davenport had traveled the world in Connick's band, which was and remains, hot stuff.
Irma Thomas returns to Music Inside Out for a whole new, fresh, hot buttered and yummy conversation. The Queen of New Orleans Soul pays her respects to some of her musical influences and talks about the bottom line of a Grammy Award. Turns out, there's a reason why they call it show business.
Go ahead, we DARE you. Try listening to this week's re-broadcast of Music Inside Out with Deacon John Moore and NOT enjoying yourself.
As a guitarist, band leader and showman, Deacon John has been delighting crowds for more than half a century. This year, he's played the New Orleans Jazz and Heritage Festival and the White House. He's just that irresistible.
Originally published on Tue September 18, 2012 4:13 pm
Saxophonist Branford Marsalis, oldest son of New Orleans pianist and educator Ellis Marsalis, released an album with his quartet this week. He spoke to weekends on All Things Considered host Guy Raz about the failings of modern jazz, his hopes for the next generation and leaving New York City to move back to the South.
Allen Toussaint says he'd rather let his piano do the talking. Lucky for us.
Toussaint's fingers have done the talking on song after song for more than 50 years, defining the modern-day New Orleans sound. He's written, produced and arranged chart-topping hits for scores of artists. And lately, Toussaint has been performing his catalog more often around the world.
This week, Allen Toussaint has plenty to say to Music Inside Out. Check out his major chords. And the minor ones too.
Don Vappie can play just about anything on banjo — classical compositions, traditional jazz, even funk music. So wherever he goes musically, there's always an audience eager to hear what he has to say.
What most people may not know is that Vappie's talent extends to bass, guitar and any other instrument that needs playing. His ears are just that big. And his hands are just that good. Maybe that's why Vappie tells Music Inside Out that one of his favorite songs is the old Charles Wright hit, "Express Yourself." Because that's what Vappie does best.