Director Spike Lee is having an incredibly busy year. He's directing Mike Tyson's one-man show on Broadway, combing through the Michael Jackson archives to commemorate Bad, and he's just released a new feature film called Red Hook Summer.
Producer Thomas Walsh recently spoke with Spike Lee about the movie that's sure to get you talking.
Dreamworks' animated movie Puss in Boots was a big deal. It won an Oscar, and its swashbuckling, sloe-eyed kitty was voiced by Antonio Banderas.
The meticulous computer-generated animation took four years and something like $130 million to make. But another cartoon, Puss In Boots: A Furry Tail, was hand-drawn in six months for less than $1 million. It went straight to DVD — one of the many low-budget productions riding the coattails of Hollywood blockbusters.
Southeastern Louisiana University's Division of Extended Studies is offering a non-credit course on makeup for filmmaking.
Available for high school students and adults interested in the film industry, the course will be taught by Tara Bennett, a freelance makeup artist with experience in makeup for photography, film, and theatrical stage.
The course is scheduled on the university's main Hammond campus on Wednesdays from 6-8 p.m. from Sept. 12- Oct. 10. The cost is $125, which includes all materials needed, and one continuing education credit will be awarded.
A new report is suggesting state lawmakers should lessen Louisiana's generous film tax credits and cap the amount of money it can cost the state each year in lost revenue.
Louisiana spent $231 million last year to attract movie productions, through a tax break program that continues to grow larger annually and that has cost the state more than a billion dollars over a decade.
The left-leaning Louisiana Budget Project says the state hasn't gotten much in return besides the prestige of hosting big-name Hollywood actors.
This week on Inside the Arts, a piano competition heats up at Loyola University; there's much talk about a Louisiana-shot film that took top honors at the Sundance Film Festival; we'll tour an overlooked French Quarter institution; and we take a peek at an exhibit that's hitting a high note with jazz lovers.
The new Batman film, The Dark Knight Rises, is perhaps the most anticipated movie of the summer. It's the last film in the Batman trilogy that writer-director Christopher Nolan has crafted over the past 7 years.
Nolan wanted The Dark Knight Rises, which will be released in theaters July 20, to feel like a historical epic. As he tells weekends on All Things Considered host Guy Raz, he looked to films like Fritz Lang's Metropolis, David Lean's Dr. Zhivago, and Ridley Scott's Blade Runner.
Academy Award-winning actress Celeste Holm has died. A star on both stage and screen, Holm was best known for roles in Gentleman's Agreement, All About Eve and Oklahoma! She was 95.
Holm died early Sunday morning in her Manhattan apartment with her husband, family and close friends by her side. She had been hospitalized a couple weeks ago following a fire in actor Robert De Niro's apartment in the same building.
If there was one role that put Holm on the map, it was as the coquettish Ado Annie, in the 1943 hit musical, Oklahoma!
When you look at Batman with a coldly analytical eye — and he's hard to avoid these days, with The Dark Knight Rises set to come out Friday — a few things stand out as potential red flags: the secrecy, the lair, the attraction to danger, the blithe self-sacrifice, the ... cape.
It's unusual, all of it, you have to admit. Sure, he's handy to have around in an emergency, and you can't beat a fella who can be summoned with a giant light in the sky in the event you've got no cellphone reception.