Editor's note: With Voices from the Classroom: The Arts in Education Reform, NolaVie and cultural partner WWNO — New Orleans Public Radio are teaming up to take a look at how the arts are being used creatively in schools around the city.
Why are the arts an important component for school curricula? And how are we integrating arts into local classrooms? Today, Renee Peck interviews Folwell Dunbar, head of a new kind of school in Jefferson Parish.
Eden House is a two-year residential program for women who have been commercially and sexually exploited. Modeled after Magdalene House in Nashville, Tennessee, Eden House provides six to eight women a safe and supportive home for two years, free of cost.
Originally published on Mon October 20, 2014 4:31 pm
Thanks to a quirk of history — and a love of bananas — New Orleans has had a Honduran population for more than a century. But that population exploded after Hurricane Katrina, when the jobs needed to rebuild the city drew waves of Honduran immigrants. Many of them stayed, and nearly a decade later, they've established a thriving — if somewhat underground — culinary community.
Signs of that community abound, if you know where to look.
Vietnam’s Ho Chi Minh City, also known as Saigon, has become an Asian mega-city. And it’s surrounded and defined by water. Districts here are often separated by bridges, crossing one of the many rivers that run through the city on their way to the Mekong Delta. It’s a bustling place, as you’d expect with eight million or so residents (and growing). Rush hour brings an onslaught of motorbikes and cars, flowing like their own river through the city.
It’s easy to tease out the artists who’ve inspired A.J. Croce’s singing over the years — Ray Charles, Paul McCartney*, Buddy Holly, even Ray Davies of The Kinks. He loves early rock n roll and R&B. So perhaps it’s ironic that A.J. rarely sounds like his father, singer-songwriter Jim Croce, who made his mark on music in the late 1960s and early 70s.
With nine albums to his credit and more than 20 years as a touring musician, A.J. Croce is his own man, performing his own music. And a devoted fan base has shown its appreciation for the genre-busting of the younger Croce.
In this month's Cityscapes column for NOLA.com and The Times-Picayune, geographer Richard Campanella chooses another industrial subject. The Ford Motor Co. plant in Arabi, along the Mississippi River in St. Bernard Parish, employed hundreds of local workers, starting in the early 1920s.
Originally published on Thu November 6, 2014 5:44 pm
Six months ago, we brought you the story of the Edna Karr High School marching band in New Orleans. Two members of the band in particular, snare drummer Charles Williams and tuba player Nicholas Nooks, or Big Nick as his friends call him, earned scholarships to Jackson State University in Mississippi — their dream.
The marching band at Jackson State is known as the Sonic Boom of the South. Band camp began in August with 164 freshmen. But after weeks of late nights and early mornings, musical training and also push-ups, 24 had quit.
This is not John Philip Sousa’s band music. Don’t get us wrong, Sousa is in the pantheon of them-who-haul-brass-through-the-streets, but we suspect the maestro might be surprised by the music today. Which, if you think about it, is good.
Otherwise, there would only be the old-timey brass band idiom and the genre would have lost touch with the people.
Which is precisely where this music has always lived. With military bands and civic orchestras and parades and funerals and weddings, brass band music has always been popular music.
WWNO’s Coastal Desk has been on tour, looking at water management in other cities. Austin and Philadelphia were the first stops. Now we’ll hear about the final city: Milwaukee, Wisconsin.
A delegation of New Orleans city officials and non-profit leaders recently headed to Wisconsin. They learned how Milwaukee, built as an industrial hub, has become one of the greenest big cities in the country.
The only thing more fun than talking to Shannon Powell is listening to him play. Powell is one of the most charismatic drummers to ever grace a stage. His secret? “I’m happy,” Powell tells Music Inside Out. “I was a happy child. I’m a happy spirit.”