classical music

This Continuum presents a program featuring the female vocal ensemble known as “Tapestry”. The Boston-based vocal group was founded by member Laurie Monahan in the 1980s and combines a repertoire of music from the medieval to the contemporary periods. This program features the recordings “Sapphire Night”, “The Fourth River’, and “Song of Songs Come into my Garden”. The so-named Tapestry recordings used are: Musikproduction MDG 344 1193-2, Telarc CD-80534, and Telarc CD

This Continuum program is devoted to the music of the Ars Subtilior (subtle art), an early musical style characterized by rhythmic and notational complexity, centered in Paris, Avignon in southern France, also in northern Spain at the end of the fourteenth century and in southern France in the 14th century. Often the term is used in contrast with Ars Nova, which applies to the musical style of the preceding period from about 1310 to about 1370.

Manhattan Chamber Players.
Sophie Zhai

August's classical music languor will be relieved on August 18 when the new Crescent City Chamber Music Festival (CCCMF) debuts at 6 p.m. with a concert in an unorthodox venue, the Urban South Brewery, 1645 Tchoupitoulas Street. The performance will be free, with food served afterward and special beer flights available for purchase.

Continuum presents a program devoted to Renaissance music performed on two of the most popular musical instruments of that period, the viola da gamba and, the lute. Performers include Ron McFarlane, Paul O'Dette and the famous Jodi Savall, all well known masters of their instruments.

This week,  Continuum features The Early Music Ensemble Gilles Binchois, now in its thirtieth year of performing medieval church music. The musicians are named after one of the most important composers of the 15th century Burgundian School. Your'll hear them perform Guillaume de Machaut’s 14th century Mass of Notre Dame, the first medieval polyphonic setting of a mass by a known single composer. The setting of this mass is thought to have been composed specifically for the Cathedral of Rheims.

This Continuum presents a program of early English music performed by a unique ensemble known as The King's Noyse, the leading North American Renaissance-style violin, viola and cello ensemble.

Photo Credit: Xun Wang

This week on Inside the Arts, the NOLA Project's latest theater experience takes audiences to a movie set, atop a downtown hotel.

Then, the New Orleans International Piano Competition presented by MASNO opens this week with a performance by a former gold medalist.  We talk with pianist Marianna Prjevalskaya.

And, we round out with a magical tale as the New Orleans Shakespeare Festival at Tulane closes its season with Tony Kushner’s The Illusion.

Airs Tuesdays at 1:00 p.m. and Thursdays at 8:45 a.m.

One of the major American early music ensembles, The Baltimore Consort, was founded in 1980. On this Continuum your'll hear a wide variety of excerpts from three of their CDs, featuring the female singer, Custer LaRue, who specializes in Renaissance music and traditional Folk music.

A very large repertoire of Sephardic music is available on CD recordings. Continuum is pleased to present a wide selection of Songs of the Sephardim from their library performed by three recognized ensembles who play this music expertly.

This Continuum is a program devoted to the various aspects of medieval love. The performers are three noted ensembles specializing in early music, namely our own New Orleans Musica da Camera, Sequentia and the Boston Camerata. Recordings used are Maiden, Mother, Muse (New Orleans Musica da Camera) - Centaur CRC 2434, Dante and the Troubadours (Sequentia) - Deutsche Harmonia Mundi 05472-7727-2, and Tristan et Iseult (The Boston Camerata) - Erato ECD 75528. 

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