This week on The Reading Life: poet Sharon Olds, author of Stag's Leap, John Shelton Reed, author of Dixie Bohemia: A French Quarter Circle in the 1920s, and Josephine Sacabo and Dalt Wonk, authors of Nocturnes.
Susanna Moore's latest novel, The Life of Objects, is a slim World War II saga that reads like a cautionary fairy tale: It's packed with descriptions of ornate furniture and paintings, lavish banquets, demons and diamonds. At the center of the story is a young girl bewitched by her own desire to live a larger life, a wish that's granted with grim exactitude.
When it comes to healing the wounds of its troubled racial past, the United States is still in its "adolescent phase," says novelist Attica Locke. The 2008 presidential election changed everything she had been taught about race, she says — and, as an African-American writer, she felt compelled to write about that new reality. The result is The Cutting Season, a thrilling, century-spanning story of two murders.
Time magazine named author and pastor Brian McLaren one of the 25 most influential evangelicals in America.
McLaren has written more than 20 books, and he is a principal figure in the Emerging Church, a Christian movement that rejects the organized and institutional church in favor of a more modern, accepting community.
McLaren's new book is called Why Did Jesus, Moses, the Buddha and Mohammed Cross the Road?: Christian Identity in a Multi-Faith World.
Gen. Thomas-Alexandre Dumas was one of the heroes of the French Revolution — but you won't find a statue of him in Paris today.
He led armies of thousands in triumph through treacherous territory, from the snows of the Alps to the sands of Egypt, and his true life stories inspired his son, Alexandre Dumas, to write The Count of Monte Cristo and The Three Musketeers.
Every New York story ever written or filmed falls into one of two categories. The first — like Betty Smith's A Tree Grows in Brooklyn, or the musical On the Town — regards New York as the representativeAmerican city, a jam-packed distillation of the country's dreams and nightmares.The second group views New York as a foreign place — a city off the coast of the U.S. mainland that somehow drifted away from Paris or Mars. Think every Manhattan movie ever made by Woody Allen.