blues

This week on All Things New Orleans we'll speak with Xavier University of Louisiana's Keller Endowed Chair in the Humanities and professor of African American Music, Dr. Michael White. He'll share information about the upcoming Culture of New Orleans Series, "The Sacred and the Sinful: Hymns and Blues in New Orleans Jazz," coming up Sunday, March 12, at 2pm in the University Center McCaffrey Ballroom.

Ernie Vincent
American Routes

Each week, American Routes brings you Shortcuts, a sneak peek at our upcoming show. One of the enduring heroes of club life in New Orleans is guitarist Ernie Vincent. Ernie’s parents spoke French- father played guitar and harmonica, and the family used to take regular trips to Thibodaux, LA where his uncles played juke joints and fish fries. Vincent learned to play Jimmy Reed tunes, met Little Johnny Taylor and Little Freddy King.

Chris Smither
American Routes

Each week, American Routes Shortcuts offers a sneak peak into the upcoming American Routes episode. This week, New Orleans Bluesman Chris Smither plays a live show in his current home- Western Massachusetts.

Barbara Lynn
American Routes

Each week, American Routes brings you "Shortcuts," a sneak peek at the upcoming show. Barbara Lynn has traveled the gulf coast club circuit for almost 40 years. Back in the late 50s, Barbara cut a figure in her hometown of Beaumont Texas, earning the nickname “The Black Elvis,” by playing left-handed guitar and singing for her high school girl group, Bobby Lynn and the Idols.

Matt Robinson / Elephant Quilt Productions

What do you get when you combine modern jazz, the music of Woody Guthrie, Delta blues, and Antonín Dvořák's "American" String Quartet?

You get Luke Winslow-King.

Born and raised in Michigan, a crime landed him in New Orleans. But, ever the optimist, Winslow-King decided to stay. And yet, the road has been more of a home in recent years. Winslow-King is spending the final months of 2013 on a European tour.

“I play for people who still feel like there is something positive and exciting left out in the world to experience.”

Taj Mahal has guts. What else would explain the song title, "You Ain't No Streetwalker Mama, Honey, But I Do Like the Way You Strut Your Stuff?"

In the history of the blues, there's never been anyone as bold, funny, carnal and canny.