Wheel your cart into the Winn-Dixie on Carrollton Avenue, and you might be distracted from your grocery list by a house. Just inside the supermarket sits a bright cottage, typically New Orleans in style.
“It’s got the front porch, it’s got the hip roof and the chimney up top. And everything is crooked,” says Matthew Holdren. The designer and woodworker built this pint-sized home, a children’s playhouse about 9-by-5 feet in size. Its just-might-topple-over feel was inspired by collaborator Terrance Osborne.
In certain worlds of New Orleans music, there is a special sound — a signal — which lets players know it's time to pick up their instruments and strike up the band. But where did this signal come from? We listened to chirps, whistles and musicians, hunting for this signal's origins and to learn: what is the chicken, and what is the egg?
When New Orleans musicians want to say a certain thing, instead of words, they use a four note phrase.
“It’s a bugle call or a band call to assemble,” explains Leroy Jones.
Click here to hear about the lasting consequences of the 1984 World's Fair.
As the Director of Public Relations for the 1984 World's Fair, Jeanne Nathan had her work cut out for her.
The fair not only had to compete with the 1984 Summer Olympics in Los Angeles, but it was challenged by an oil crash, political conflict, and bad publicity. It remains the only World’s Fair to declare bankruptcy during its run. Despite that, Jeanne feels New Orleans learned invaluable lessons in tourism and marketing that are still used today, but will be the first to admit that handling the Fair’s image was a constant uphill battle.
This week on Inside the Arts, the Birdfoot Festival gears up for a week of live chamber music performances at venues across the city.
Then, we get a peek at an exhibit of pastel portraits celebrating notable New Orleans Free People of Color at Le Musée. And we round out with a classic American drama, Arthur Miller's Death of a Salesman.
Airs Tuesdays at 1:00 p.m. and Thursdays at 8:35 a.m.
deLesseps “Chep” Morrison was the mayor of New Orleans from 1946 to 1961. History will remember his administration as a polarizing one: he lured corporations to town, but also upheld segregationist values. He ran for Louisiana governor three times, and lost his final election in the winter of 1964. Months later, he spoke with future Lieutenant Governor Jimmy Fitzmorris, who still remembers their final conversation.
Click here to hear about the death of Chep Morrison, as recounted by Jimmy Fitzmorris.
On Wednesday, Prospect New Orleans announced the details of its third biennial exhibition of international contemporary art, “Prospect.3”.
The three-month exhibition opens in October with about 60 artists from around the globe. The first Prospect international art show in 2007 brought art-world stars and collectors to the city, and at least one critic called it “the greatest art exhibit in New Orleans history.”