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Baton Rouge guitarist, harp player and singer Kenny Neal is a second-generation leader in the city’s blues scene, born into a family of ten children. Kenny’s father Raful Neal was a noted harmonica player, influenced by Little Walter and played in a local band with Buddy Guy. Raful Neal’s friend Slim Harpo gave son Kenny Neal his first harmonica at age three. Kenny started playing bass for his father at thirteen and went on to Buddy Guy’s band. Later, he recruited his siblings to form the Neal Brothers Blues Band. In 1989, Kenny recorded a breakout swamp blues LP Big News from Baton Rouge for Alligator Records. His fine guitar work and harmonica, as well as authoritative voice, carried him forward making sixteen more records. Kenny carries on the Baton Rouge blues tradition. Let’s go to to the Juke Joint stage at West Baton Rouge Parish Museum with Kenny Neal.
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Donald Harrison is known as a modern jazz saxophonist here in New Orleans, and although he grew up hearing parades and funerals in his youth, his major influence was at the New Orleans Center for the Creative Arts, under his teachers like Kidd Jordan and Alvin Batiste. Harrison spent years in New York City as one of Art Blakey’s Jazz Messengers and later co-lead a modern jazz band in New York with New Orleans trumpet player Terence Blanchard. But Harrison never forgot his New Orleans roots…a place where jazz is still dance music. He also came home to his father Donald Harrison, Sr.’s traditions of song and street performance, suited up in sequins and feathers as a Mardi Gras Indian chief leading the Guardians of the Flame. Donald Harrison told me that his rooted, but worldly musical eclecticism began at home. -
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The late Dr. Lonnie Smith of B-3 organ fame was a native of Buffalo, NY, where he got noticed sitting in with Jack McDuff. Lonnie Smith moved to New York City to join George Benson’s quartet and scored a solo record deal with Columbia. “Doc” Smith mixed jazz, soul, blues and pop in his own compositions, as well as covers of Coltrane, Hendrix and Beck. Growing up, Lonnie Smith sang gospel songs in church and at home. His brothers played guitar and drums. Lonnie’s first instrument came to him magically, he says, “almost like in a movie.” -
The Historic New Orleans Collection spotlights former Congressman Bob Livingston. -
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This is American Routes for St. Patrick's, with singers, fiddlers and pickers from Ireland to Appalachia live in this hour. Sharing Irish, bluegrass and country tunes with one another at the 80th National Folk Festival. Beginning with brothers Rob and Ronnie McCoury playing banjo and mandolin on stage in Salisbury, Maryland, 2021 with Ronnie's tune, " Quicksburg Rondevouz." -
We hear New York Times investigative journalist Nikole Hannah-Jones, in conversation with former New Orleans Mayor, Mitch Landrieu. Nikole Hannah-Jones is most recognized for her work on the 1619 Project, which has won numerous awards, including a Pulitzer Prize for Commentary in 2020. The 1619 Project became the target of public critique from Republican governor, Ron Santis, in his crusade against "CRT" and "wokeness" in academia. Nikole Hannah-Jones recounts how she became involved in journalism, talks about the origins of the1619 Project and the importance of national "creation myths," and responds to her most vocal critics.
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In Lafayette today, our guests are Cedric Watson and Chris Stafford, part of a younger generation that is preserving Cajun and Creole culture by playing the music. Cedric Watson, a fiddler and accordionist who grew up in San Felipe, TX, taught himself the Creole language spoken by some of his elders. Cedric eventually moved to Lafayette where he became involved with several great bands, from the Pine Leaf Boys to his own group, Bijou Creole. Also in Bijou Creole is Chris Stafford, a multi-instrumentalist, producer, and researcher, known for co-founding the band Feufollet when he was eleven years old. We’ll soon hear a bit of Chris and Cedric’s duo set live, but first, I asked the two of them about how playing traditional French music as a duo is different than a full band. Cedric Watson: -
