Music Inside Out With Gwen Thompkins

Thursdays at 7 p.m. and Saturdays at Noon

Music Inside Out with Gwen Thompkins presents the standard-bearers of Louisiana culture — musicians, songwriters, producers, engineers, music writers, and more — as they talk about the art of making music and the songs that influenced them.

Join us for an appreciation of the truly cross-cultural nature of our region’s music. The musical styles, instruments, and techniques of many peoples and lands come together in New Orleans, like nowhere else.

Connect with the show on Facebook and on Twitter.

Major support is provided by the Historic New Orleans Collection, with additional support from the New Orleans Jazz & Heritage Foundation.


Denny Culbert via John Sellards Design

Songwriters talk about a song being “honest.” And according to David Egan, that’s all about telling the truth about our battles and our triumphs — our loves and losses.

“We write music for grownup people,” he says. “Grownup music for grown-ass people.”

They’re the people you might see at the gas station, or in the grocery store. Or in the mirror.

Music Inside Out

At first, there wasn’t a name for the kind of music that Fats Domino played.

He called it rhythm and blues. But Domino’s songs stretched beyond that category.

In the late 1940s, Domino was working at a mattress factory in New Orleans and playing piano at night. He’d just gotten married… and both his waistline and fan base were expanding. That’s when the bandleader Billy Diamond first called him “Fats” — and predicted he’d have an outsized career.

Fantail Media / Flickr

There’s a reason why lions prefer the company of other lions. Just ask Reggie Scanlan. As a bass player, Scanlan worked with James Booker and Professor Longhair before starting a 33-year run with the Radiators. He’s now in a band of all-stars called the New Orleans Suspects.

Gregg Goldman

The day we visited Tom McDermott’s home, the sound of James Booker’s “Classified” greeted us. It was a sweet gesture: walking into a man’s home to the sound of your radio show’s theme music.

McDermott knows how to communicate with a piano.

Blame it on Rio… and ragtime. McDermott has a piano playing style that smacks of sweet melodies, savory harmonies, and spicy Brazilian rhythm. And he serves up all three this hour. Pull up a chair, and enjoy.

Kevin Dooley / Flickr

The Wide Open Road is a Cultural Icon
But Wait Until You Hear the Stories These Folks Tell

This week, Music Inside Out features Louisiana musicians telling stories of their experiences around the world.

Alex McMurray, Shannon Powell, the Pfister Sisters and Jim McCormick couldn’t sound more different on stage. But they’re all road-tested, having talked, played, sung or cooked their way out of tight spots in Nashville, Germany, Greece and Japan.

Music Inside Out

The name that our musical guests have most consistently mentioned is Professor Longhair. It began, well, at the beginning. Longhair, whose friends call him Fess, figured into the very first answer from the very first guest on the very first Music Inside Out.

Since then, others have conjured his name when describing the best of New Orleans music. As it turns out, Longhair — who died in 1980 — remains a guiding spirit to musicians and music lovers everywhere. So as a matter of duty and privilege, we’re spreading the joy.

Matt Robinson / Elephant Quilt Productions

What do you get when you combine modern jazz, the music of Woody Guthrie, Delta blues, and Antonín Dvořák’s “American” String Quartet?

You get Luke Winslow-King.

Born and raised in Michigan, a crime landed him in New Orleans. But, ever the optimist, Winslow-King decided to stay. And yet, the road has been more of a home in recent years. While he’s back home now, Winslow-King spent the final months of 2013 on a European tour.

Shelby Duncan

It’s easy to tease out the artists who’ve inspired A.J. Croce’s singing over the years — Ray Charles, Paul McCartney*, Buddy Holly, even Ray Davies of The Kinks. He loves early rock n roll and R&B. So perhaps it’s ironic that A.J. rarely sounds like his father, singer-songwriter Jim Croce, who made his mark on music in the late 1960s and early 70s.

With nine albums to his credit and more than 20 years as a touring musician, A.J. Croce is his own man, performing his own music. And a devoted fan base has shown its appreciation for the genre-busting of the younger Croce.

Wendy McCardle / MusicInsideOut.org

This is not John Philip Sousa’s band music. Don’t get us wrong, Sousa is in the pantheon of them-who-haul-brass-through-the-streets, but we suspect the maestro might be surprised by the music today. Which, if you think about it, is good.

Otherwise, there would only be the old-timey brass band idiom and the genre would have lost touch with the people.

Which is precisely where this music has always lived. With military bands and civic orchestras and parades and funerals and weddings, brass band music has always been popular music.

And in New Orleans, it still is.

Shannon Brinkman

An Hour with The World’s Greatest Drummer

The only thing more fun than talking to Shannon Powell is listening to him play. Powell is one of the most charismatic drummers to ever grace a stage. His secret? “I’m happy,” Powell tells Music Inside Out. “I was a happy child. I’m a happy spirit.”

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