Dr. Michael White is the beloved New Orleans clarinetist leading the Original Liberty Jazz Band. He's also a composer, musicologist, jazz historian, and now retired professor at Xavier University. He's a leading authority and culture bearer of traditional jazz. He's performed globally, is heard on over 50 recordings, received the NEA National Heritage Fellowship. Although Michael has ancestors in traditional jazz, he started in classical music. He later joined the famed St. Augustine High School Marching 100, but it wasn't until his late teens that Michael first heard New Orleans jazz played live at the Jazz and Heritage Festival. He went on to play with Ernest “Doc” Paulin’s brass band, 1975, at a church parade, and in social club parades and jazz funerals. Then, with Danny Barker's Fairview Baptist Church marching band. He later worked with the Young Tuxedo Brass to Wynton Marsalis's band, among many. We'll hear some of that music and more from Dr. Michael White and the Original Liberty Jazz Band.

This week we pay tribute to the late singer-songwriter, actor and counter-culture icon, Kris Kristofferson. He wrote “Me and Bobby McGee” sitting on an offshore oil rig in the Gulf of Mexico, 1969. Before the song turned his life around, Kristofferson struggled to make ends meet in Nashville. Whether it was a love song like “Help Me Make It Through The Night,” or the rueful regret of “Sunday Mornin’ Comin’ Down,” Kris Kristofferson’s straightforward lyrics later reached listeners and other songwriters.

This is American Routes for Christmas, Hanukkah, Kwanzaa, New Years, and beyond. I’m Nick Spitzer in New Orleans, where holiday second lines are in the streets, French Réveillon feasts in the restaurants, and house light decor ranges from downhome color schemes to grandiose yard display. This hour we explore Santa’s exploits, fallibility, and possibility with songs from Baltimore’s Fat Daddy, Tampa Red, and Tennessee Ernie Ford. Also, Christmas songs and celebrations from French Louisiana to Mexico and Puerto Rico, holiday blues from Chuck Berry and Charles Brown, the abolitionist version of “O Holy Night” from soul queen Irma Thomas, and the ancient carol “Greensleeves” from John Coltrane. Right now let's get back out on “Santa’s Second Line” with New Orleans’ New Birth Brass Band on American Routes.

We’ve got jazz trumpeter from Preservation Hall, Wendell Brunious with his New Orleans All Stars. Wendell Brunious is from a famed New Orleans Creole jazz family. He is the son of Nazimova Santiago and John Brunious, Sr., a trumpeter who played with Onward Brass and Young Tuxedo Brass Bands, and Paul Barbarin. Wendell Brunious’ brother was the late John Brunious, Jr., also a trumpeter who lead the Preservation Hall Jazz Band. Over the years, Wendell Brunious sang with Chief John and the Mahogany Hall Stompers in the 1960s. He studied at Southern University, worked with Danny Barker in the ‘70s, and later played on Bourbon Street and with Kid Thomas Valentine, Eureka Brass, Lionel Hampton, Linda Hopkins, Sammy Rimington and Louis Nelson. Right now it’s Wendell Brunious and band on American Routes Live.

The Savoy-Doucet Cajun Band has been playing together since 1977. The band includes husband and wife Marc and Ann Savoy, on accordion and guitar respectively, and Michael Doucet of Beausoleil on fiddle. The trio has presented traditional Cajun music at Louisiana dance halls, major music festivals, and presidential inaugurations. They recently played a Cajun dance party in New Orleans’ French Market for the National Treasures Tour of Culture Bearers in National Parks. I sat down back home with the Savoys and Michael Doucet to talk about the band and their relationship as friends, family, and musicians. First, I asked Marc Savoy about his choice to continue family traditions of making and playing accordions.

Country singer Kelsey Waldon grew up in the Ohio River bottoms of Ballard County, Kentucky, a place called “Monkey’s Eyebrow,” where her father runs a hunting lodge and her mother’s family has been farming for generations. Kelsey started writing songs at a young age, went to Nashville at nineteen, played in bars, studied songwriting and later released noted albums that landed her on stage at the Grand Ole Opry. It was there with the now late songman John Prine that she agreed to join his label, Oh Boy Records, in 2019, the first artist Prine had signed in fifteen years. Kelsey counts John as a mentor, but remembers the first encounter with music came from her nanny.

This is American Routes, about to go into the studio with Creole jazz and soul singer John Boutté. You may know him for singing his theme for the TV series Tremé. John comes from an African, French, Spanish, Native, and Irish family background that begins in the mid-18th century New Orleans. His immediate family numbered ten kids; singing was a household and street corner pastime. John counts the influence of jazz elders, like Paul Barbarin, Louis “Big Eye” Nelson, and Danny Barker, as well as New Orleans piano and vocal heroes like Allen Toussaint, Dr. John, and James Booker. The quality of his voice has been recognized by Stevie Wonder. He's been paired in shows with Lou Rawls and Herbie Hancock. A New Orleans vocal icon who was raised in a storied, musical neighborhood. I asked John about it.

This is American Routes live in the studio with a few friends. The Stooges Brass Band from New Orleans started as teenagers in 1996 after bandleader Walter "Whoadie" Ramsey heard a performance by Rebirth Brass Band. Walter combined members of two rival high school bands, and they later added hip-hop, funk, and R&B into the setup. The Stooges grew up to play local clubs and jazz second line parades. They went global with videos with hip-hop producer Mannie Fresh. Back home they won local Red Bull Street Kings competitions twice since 2010. Kicking it off: The Stooges on American Routes.

My fellow Americans, it’s time to face the music and vote. By mailbox, ballot box, pulling the lever or pressing a button on November 5th.

Singer/guitarist Charley Crockett plays what he calls "Gulf and Western” music, a combination of blues, R&B, soul, country and more found along the Gulf Coast from Texas to Louisiana. It makes sense, since that's where he grew up, living with his mother in a trailer. Charley’s lived many lives, hitchhiking with his guitar from coast to coast, playing in subways and city streets in New York City, New Orleans and Paris; working farms in California, running into trouble with the law and later his health with open heart surgery. He's recorded several highly acclaimed albums and is known for his takes on classic country tunes as well as original songs. But for Charley, the blues is where it all began.