The late Jesse Colin Young’s career began in Greenwich Village during the 60’s folk revival. After releasing solo albums, Jesse teamed up with guitarist Jerry Corbitt, keyboardist and guitarist Lowell "Banana" Levinger, and drummer Joe Bauer to form the Youngbloods. Their iconic 1967 hit “Get Together,” originally by Dino Valenti, called for peace and unity. Young moved to the San Francisco Bay Area in 1969, but relocated to Hawaii after he lost his house in a fire in 1995. He used music to get through those hard times and suffering from Lyme disease. His music also increasingly dealt with political disaster, raising concern about the environment and war. Born Perry Miller, Jesse’s dreams of a free life began in Queens with his father and music at home. Jesse Colin Young passed March 16, 2025.

New Orleans guitar and banjo player Detroit Brooks got a start touring with his musical family, including father George Brooks Sr. of the gospel group Masonic Kings, and his sister, gospel singer Juanita Brooks. Detroit grew up downriver, living four blocks from Fats Domino, and was greatly influenced by the late Creole banjo and guitar player, Danny Barker. He created a festival in his memory. In addition to his career in music, Detroit worked as a barber and for Amtrak. He's well versed in traditional jazz, R&B, soul, and funk. He's here as bandleader of the Syncopated Percolators at the New Orleans Jazz Museum, playing “Hindustan,” on American Routes Live.

This is American Routes, I'm Nick Spitzer. It’s no secret, here and worldwide, we’re in a time of turmoil, in government, political attacks, secrecy and war. We asked you, our listeners, to help pick music and musicians that deal with the troubles, and we added a few songs and singers that fit the mood as best we could. They include the Staple Singers, Allen Toussaint, Johnny Cash, Woody Guthrie, Toots and the Maytals, Son Volt, Carole King and John Coltrane. ***Content warning: This episode contains the word “Goddamn” at 1:29. It is not bleeped.”

Byrds and Flying Burrito Brothers co-founder Chris Hillman is a musician, singer, songwriter, and author. A third generation Californian, Hillman grew up hearing Count Basie, Duke Ellington, Louis Armstrong, Peggy Lee, Frank Sinatra, all on his parents’ hi-fi. He discovered bluegrass and picked up mandolin by way of Bill Monroe and the New Lost City Ramblers. At seventeen, Hillman joined his first band, the Scottsville Squirrel Barkers, a bluegrass group that included Eagles’ guitarist Bernie Leadon. He later played with the Golden State Boys, the resident bluegrass band for Los Angeles television’s Cal’s Corral, which became the Hillmen. I spoke to Chris Hillman over Zoom, where he told me how he was recruited to play bass for the Byrds at a studio rehearsal in L.A.

The Black Masking Indians of New Orleans Carnival—some say Mardi Gras Indians—are neighborhood groups with roots in the late 19th century that include a Chief, a Queen, and roles like Flag Boy, Spy Boy, and Wildman. The Indians are on foot dressed in large, complex, beaded suits depicting Black and Native American histories as warriors with a crown of feathers. They sing, backed by a handmade rhythm section. I walked with Big Chief Tyrone Casby, an educator in everyday life, among his tribe, the Mohawk Hunters, their families and friends in Algiers, on the West Bank of New Orleans.

This is American Routes Live with New Orleans trombonist Corey Henry and his Treme Funktet at Marigny Studios, at the edge of the French Quarter. As the name of the band suggests, the Faubourg Tremé is an important part of Corey’s family history and his development as a musician. I asked him about the origins of the group.

This is American Routes with a tribute to the legendary New Orleans drummer, James Black. Black also composed tunes like "Monkey Puzzle" and "Dee Wee," both recorded by Ellis Marsalis' ensemble in the early 1960s. As a composer, Black received support from the National Endowment for the Arts.

Evan Christopher began playing clarinet in junior high school in Long Beach, CA. His first introduction to New Orleans music was hearing Louis Armstrong's Hot Fives and Sevens with Johnny Dodds and Artie Shaw on his dad’s records. Evan moved to New Orleans in his early 20s. Here he worked as a steamboat clarinetist by day and explored the music scene on Frenchmen Street by night. He went on to collaborate with Tom McDermott, Al Hirt, the New Orleans Nightcrawlers, Galactic, and others. His “Clarinet Road” led him from Socal to New Orleans, San Antonio, Paris, and he now resides in New York City. Evan told us how he came to understand the music of New Orleans.

Aurora Nealand was recently praised as one of the top ten soprano saxophonists in America by Downbeat Magazine. She grew up in an eccentric family on the California coast and then Colorado, listening to Stravinsky, Preservation Hall Jazz Band, Joan Baez and the Pixies. Her mom was a gardener who played classical piano, her dad an archivist who went to rock band practice between jobs. She received musical training at Oberlin College and Jacques Lecoq School of Physical Theatre in Paris, all before embarking on a bike trip across the US to chronicle the dreams of rural America. In 2004 Aurora ended up in New Orleans, where she learned to play traditional jazz in the streets. Now she leads her band, the Royal Roses, and sometimes has the persona of Rory Danger. Aurora attributes the interest in a broad range of styles to her travels and nontraditional upbringing.

Our guest is singer, pianist and octogenarian Tommy McClain, one of the last standing Louisiana swamp pop singers. He told us how much he enjoyed being on the road, singing for new audiences. Tommy is known in Louisiana for his hit 1966 cover of “Sweet Dreams” and his contributions to swamp pop. He’s also recorded gospel music, wrote songs for Freddy Fender and toured with the Dick Clark Road Shows in the 1960s. Tommy’s now back in the studio with Elvis Costello and producer C.C. Adcock and recorded a 2022 album I Ran Down Every Dream. Entertaining has been a constant for him since his early days in Pineville, LA singing for his family and listening to the Grand Ole Opry. But his whole path changed when he went to a concert nearby in Alexandria.