As Jazz Fest enters its second day, folks may be waking up this morning a bit haggard from yesterday’s festivities. For those battling the brown bottle blues, fear not: there may be help for you at the Fair Grounds.
Poppy Tooker, host of Louisiana Eats!, says first you’ll need to visit Ms. Linda’s Ya Ka Mein stand, right near the Congo Square Stage.
On average, Jazz Fest adds $300 million to the local economy and is expected to draw nearly half a million attendees this year.
And all of those people need to be fed.
With over 70 food and beverage vendors, Jazz Fest does not disappoint. We spoke with Poppy Tooker, the host of WWNO's Lousiana Eats!, as she went through her annual ritual surveying the food booths at Jazz Fest. We got to preview some of thenewdishes hitting the festival food scene.
Looking for a particular stage at this year's New Orleans Jazz and Heritage Festival, presented by Shell? Can't find the bathrooms? Take a look at the Festival Map. You can download a high-resolution version of the map by clicking here.
Martha Redbone and her Roots Project Band return to the New Orleans Jazz and Heritage Festival this year to perform songs from her internationally acclaimed new CD, The Garden of Love — Songs of William Blake.
The CD is a switch for Redbone, as the indie-soul diva returns to the music of her childhood, growing up in the hills of Kentucky.
Martha Redbone performs Sunday, April 28 at the Sheraton New Orleans Fais Do Do stage at the New Orleans Jazz and Heritage Festival at 1:30 p.m.
Great New Orleans jazz singer Germaine Bazzle’s formal music education began at the Xavier Junior School of Music under the tutelage of the accomplished and very demanding Sister Mary Latitia.
“She is the one, when you hear that little sound that I make, she is the one that demonstrated that to the orchestra when we were playing as she wanted something done,” Bazzle explained. “She wanted to show the trumpets or trombones, the brass people, how to do a certain thing. And when I started doing gigs I found myself doing that.”
Great New Orleans trumpeter and vocalist Gregg Stafford spent much of his childhood in the Central City neighborhood. He saw lots of parades, often sang in church, and developed a real love of music.
When it came time for high school, Stafford had the chance to join the school band — if his mother approved. So he told her, “I don’t have an elective at the moment, so the band instructor asked me, would I be interested in music? ‘Oh no, no, no, no; I don’t have no money to pay for no horn, so you can just scratch that,’” she told him.