Trombonist Delfeayo Marsalis got a good lesson and lasting influence out of a teenage attempt to hornswoggle a new trombone from older brother Wynton. The lesson and the influence came in the form of a recording by trombone great J.J. Johnson.
Inarguably, festival season in New Orleans is in full swing. But while most of the attention is going to multi-million dollar projects with international fans, there are still other festivals happening under the radar.
On this week's Notes from New Orleans, Sharon Litwin speaks to a Marigny artist about the festival she's put together at two separate venues. One's family friendly, while the other is a bit taboo.
The Times-Picayune and NOLA.com have announced that the company will once again publish a physical paper seven days a week.
But it won’t be the full newspaper. Mondays, Tuesdays and Thursdays readers will find a shorter, tabloid sized publication at newsstands — instead of the empty space they see now. It will not available for home delivery. WWNO’s Paul Maassen sat down with Times-Picayune editor Jim Amoss to talk about the new product.
When the New Orleans Jazz and Heritage Festival first began in 1969, it was radical. Here in the South, still reeling from the Civil Rights movement and race integration, the festivals’ founders — Quint Davis, George Wein, and Allison Miner — created a safe space for New Orleanians to come together, to hear each others’ music and to party — together. Eve Abrams brings us this profile of Allison Miner, a titan in New Orleans music, and the only person with a Jazz Fest stage named for her.
The chief executive officer of the Zurich Insurance Group played golf and dodged some heavy rain during the Zurich Classic golf tournament in Avondale. Martin Senn also found time to meet with business leaders while in New Orleans, and reaffirm the company’s commitment to the region.
A one way sign is put up for Jazz Fest a week in advance, but until the day of, these signs are covered and ignored by residents of Bayou St. John (seen here at the corner of Mystery St and Esplanade Ave).
Nina Feldman learns from residents and business owners in Bayou St. John how the Jazz Fest (and the traffic that comes with it) temporarily transforms their neighborhood.
In shady Bayou St. John, the neighbors really know each other. The same crew assembles each morning at the local coffee house to read the paper and debate its assertions; another crowd convenes at the various watering holes each evening.
“It’s one of the great things about this neighborhood,” says Fortin St. resident Jonas Bishop. “The fact that I know everyone on my block… It’s definitely a community-centric area that you don’t find a lot of places.”
Delanie Manuel, server at Liuzza’s by the Track and Jonas’ neighbor, agrees. “I thought I’d be a Quarter Rat forever,” she admits. “But no, I love it here.”