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First Listen: Sara Watkins, 'Sun Midnight Sun'

Sara Watkins' new album, <em>Sun Midnight Sun, </em>comes out May 8.
Aaron Redfield
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Courtesy of the artist
Sara Watkins' new album, Sun Midnight Sun, comes out May 8.

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Like her former Nickel Creek bandmate Chris Thile, Sara Watkins paints on a canvas called roots music, only to delve into any number of adjacent genres. Take "I'm a Memory," the best song on her fine new solo album Sun Midnight Sun: The fiddles and swelling momentum signify the country-pop crossover of Sugarland or Lady Antebellum, and the hooky and harmony-drenched chorus is poppy enough to make it a big hit, but there's grit and darkness to the song, too. As accessible and comfortably sweet-voiced as Watkins' music is, she's smart enough to spike it with surprises — the lovely strings in "The Ward Accord" or the churning, slow-burning electric-guitar grind in the nearly seven-minute "When It Pleases You."

Watkins' flexibility has served her well outside her recording career, too. She's guest-hosted American Public Media's A Prairie Home Companion, played with Bela Fleck and Ray LaMontagne, toured as a member of The Decemberists and, with her brother Sean, put together a regular variety show at L.A.'s Largo. Those Largo concerts clearly led to some of the snazzier collaborations on Sun Midnight Sun — guests include Fiona Apple and Dawes' Taylor Goldsmith — but the album embodies her own versatility more than anything. She's a subtle star, but a star nonetheless.

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)

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