Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

In 1986, four women gathered in a casual setting to sing through a bit of medieval chant. Little did they know they were launching Anonymous 4, an a cappella ensemble that has spanned nearly 30 years, 20 albums, countless concerts and more than a millenium of music.

Today the group announced that the 2015-16 season will be its last together. But this isn't the first time Anonymous 4 has thought about calling it quits. The group bid a similar farewell in 2004.

In much of the country it still feels like summer is a long way off, but it's not too early to plan on hitting the road and hearing great music. From bucolic college campuses in New England to musical rafting trips down the Colorado, these are 10 of the most intriguing classical festivals. And below them is a listing, by region, of many of the best fests. Been to one we missed? Pass along your own advice in the comments section or via Facebook or Twitter.

Soviet composer Vadim Salmanov is little more than a footnote outside Russia, but his four energetic, skillfully orchestrated symphonies are making a small comeback. Russia's venerable Melodiya label has reissued them in a handsomely packaged double-disc set of live recordings made between 1957 and 1977.

Conducted with burning intensity by Yevgeny Mravinsky, Salmanov's rarely heard music soars off these albums with a sound that is thoroughly Russian yet charged with a certain Soviet-era anxiety.

Johann Sebastian Bach wrote his St. Matthew Passion for a single purpose — to present the Passion story in music at Good Friday vesper services.

Bach's Passion continues to move audiences nearly three centuries after it was first heard in St. Thomas's Church in Leipzig, Germany. Standing as one of the pillars of Western sacred music, it is at once monumental and intimate, deeply sorrowful and powerful.

John Luther Adams, whose music is inspired by — and sometimes performed in — natural landscapes, has won the Pulitzer Prize for music for his symphonic work Become Ocean.

Malta, the island nation 50 miles south of Sicily, may be small, but it's home to one of the biggest stars in opera, tenor Joseph Calleja. And like his country's name, which may originate in the Greek word for honey, Calleja's voice is a potent mix of Italianate passion and sweetness. Just listen to how he pulls the volume back to a slender golden ray of tone several times in Tosti's gorgeous "Ideale," and especially the word "disciogliea" in the Puccini aria that closes this performance.

When it comes to musical dynasties, it's tough to top the Bach family. From town fiddlers to court composers, the Bachs dominated German music for seven generations. Today, Johann Sebastian towers above all his relatives, but there's another important Bach we shouldn't forget — especially today, on the 300th anniversary of his birth.

Robert Ashley, a restlessly innovative American composer, died at his home in New York March 3 from complications of cirrhosis of the liver. NPR confirmed the composer's death through his wife and manager Mimi Johnson. Ashley was 83.

In 2006, at the 78th Academy Awards, the film Brokeback Mountain captured three Oscars and the attention of movie fans everywhere. That two handsome stars — Heath Ledger and Jake Gyllenhaal — played the lead roles helped propel the film's popularity.

But the tale of star-crossed sheepherders who fall in love on a rugged Wyoming mountain originated long before the film, as a tightly focused short story by Annie Proulx that was published in the New Yorker in 1997.

"New classical music is well and alive," Brad Wells, director of the vocal collective Roomful of Teeth, said yesterday as he accepted his Grammy for Best Chamber Music/Small Ensemble Performance.