Tom Huizenga

Tom Huizenga is a music producer, reporter, and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and hosts NPR's classical music blog Deceptive Cadence. He is the classical music reviewer for All Things Considered.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer, and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for the programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from New York's (Le) Poisson Rouge, featuring the Emerson String Quartet. He's also produced videos of musicians playing in unlikely venues, such as mezzo-soprano Joyce DiDonato singing at the historic Stonewall Inn in Greenwich Village and cellist Alisa Weilerstein at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

In his spare time, Huizenga writes about music for the Washington Post and overloads on concerts and movies.

Updated, Jan. 11, 4:00 p.m. ET: This article was updated to include new allegations of sexual assault made against Dutoit.

Classical music has never lived in a bubble. For centuries, it's always found common ground with folk music.

Enter, the Danish String Quartet.

John Adams might be called the "documentarian" among American composers. His works have traced the birth of the atomic bomb, President Nixon's trip to China and the 9-11 attacks. Now, Adams turns to the California Gold Rush.

Pianist Glenn Gould rocketed to fame in 1955 with his startling and original take on Bach's Goldberg Variations. Gould's fans were treated to a remake of Goldbergs in 1982, when he released a slower-paced rendition just before his untimely death. But it's that first, rapid fire 1955 recording that continues to captivate audiences.

When Daniil Trifonov was 20, he scored a double victory, taking home top prizes at both the Tchaikovsky and Rubinstein International Piano Competitions. That was six years ago, and by now he has secured a spot as one of the most revered – perhaps even feared – classical pianists on the scene today.

What does it take to be an opera superstar? Jonas Kaufmann should know. He's been called "the world's greatest tenor."

Kaufmann has the voice. He's also got the onstage charisma, the movie-star good looks, the ambition, even a little controversy — and a brand new album.

He's the ultimate singer-songwriter: His poetry knows no equal and, as a musician, his powers are magical. But he also has big problems.

The tragic story of Orpheus has inspired countless works of art over the millennia — plus one. The latest retelling comes from director and choreographer Mark DeChiazza.

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