Thais St. Julien

Co-Host, Continuum

Thaïs St. Julien has performed everything from Gregorian chant to Gershwin, appearing in recitals, concerts and opera across the U.S.  The New Orleans native is co-director (with founder Milton Scheuermann)of New Orleans Musica da Camera, performing music of the 11th through 19th centuries.  She created and directs the group’s  women’s vocal ensemble, Vox Feminae, sometimes writing and arranging music for them. She and Scheuermann co-host the ensemble’s weekly program of early music, Continuum, aired on  WWNO 89.9FM, streamed on wwno.org. Twelve Musica da Camera productions featuring the soprano as soloist have been broadcast on National Public Radio, American Public Radio and Public Radio International.

Her passion for 18th and 19th century New Orleans music has led to lectures and performances across the country. She was featured on the internationally acclaimed series “Creole Cameos” produced by WWNO, and “Arc Light”, a video series produced by Amistad Research Center. The soprano has recorded for the Newport Classics, Centaur, Belle Alliance and Clark Constructions record labels. Her closest brush with the movies was as historic music advisor for “Interview with the Vampire”.

Recipient of the 2007 Louisiana Artist Fellowship in Music, St. Julien is also a SouthernArtistry.org artist, and has received a Gambit “Tribute to the Classical Arts” Life Time Achievement Award and the Historic District Landmarks Commission’s Pioneer in Preservation Honor Award. She’s also profiled in several Marquis “Who’s Who” publications.

When not reading a mystery novel or doing historical research, she’s a magician, (it’s a performance art, after all, not that much different from music). She also belongs to some nifty organizations - the International Brotherhood of Magicians, the Society of American Magicians, the Knights of Slights and Mensa.

Ways To Connect

Jordi Savall is one of the most famous of early music musicians performing today. He is truly a "Musician Extraordinaire."

Continuum this week presents recordings of some of his expert solo playing on the Renaissance viola da gamba. Also included will be recordings of his early music ensemble, Hesperion XXI performing works of the English Renaissance composer William Lawes.

Anonymous, Hans Holbein (II), 1547 / Rijksmuseum

This week on Continuum you'll hear the music that was used in the 1972 movie "Henry VIII And His Six Wives", performed by the Early Music Consort of London under the direction of the legendary David Munrow.

Included in the performers is Christopher Hogwood on harpsichord and regal, a Renaissance reed organ. This is the movie sound track originally issued on an LP in the early 1970s but recently remastered for CD. The recording used is Testament SBT 1250.

Sumer Is Icumen In (also called the Summer Canon and the Cuckoo Song) is a medieval English round song of the mid-13th century. This rota is the oldest known musical composition featuring six-part polyphony and is possibly the oldest surviving example of independent melodic counterpoint.

It will be featured on this week's Continuum along with other 13th century English music. CD recordings used will be Sumer Is Icumen In (The Hilliard Ensemble) - Chandos CHAN 9396, and Miri It Is (The Dufay Collective) - Harmonia Mundi HMA 1951154.

This week, Continuum will feature The Queen’s Delight, a special music program devoted to the 17th century English ballads and dances of the time of Elizabeth I.

You’ll hear music by John Dowland, William Byrd, Thomas Robinson and, of course, the inimitable Anonymous, performed by members of The King’s Noyse early music ensemble.

CD recordings used will be The Queen's Delight (The King's Noyse) - harmonia mundi 907180; and, Songs & Dances from Shakespeare (The Broadside Band) - Saydisc CD-SDL 400

The unicorn is a legendary animal that has been described since antiquity. But it is also the name of an outstanding early music ensemble from Austria.

This week on Continuum you'll hear music from three of the Unicorn Ensemble's CDs, including the Cantigas de Santa Maia of Alfonso X and the 12th century Carmina Burana. CDs used are Alfonso X, Cantigas de Santa Maria - Naxos 8.553133; Carmina Burana - Naxos 8.554837; and Chominciamento di Gioia - Naxos 8.553131

Continuum this week will present part two of a program devoted to music from Ottaviano Petrucci's historic music publication, "Harmonice Musices Odehcaton," the first printed sheet music document, published in 1501.

The performers will be New York Pro Musica and the ensemble Fretwork. CDs used are: Petrucci - The First Printer of Music (New York Pro Musica) - copy of LP Decca Records DL 79435 and Harmonice Musices Odehcaton (Fretwork) - Harmonia Mundi HMU 907291.

This week on Continuum you'll hear two very different performances of the earliest known song cycle, Cantigas de Amigo, by the mid 13th century composer Martin Codax.

The "La, La, La, La"  name of this week's Continuum program is based on the names of the four CDs featured on the program, all beginning with "La."

These are four very different selections of early music, each with a different early music ensemble. The CDs used are: La Folia (Jordi Savall et al) - Alia Vox AV 9805; La Messe  des Fous (Barry Hayward Consort) - BNL BNL112746; La Dolce Vita (King's Singers & Tragicomedia) - EMI CDC  7 541 91 2; and La Bele Marie (Anonymous 4) - Harmonia Mundi HMU 907312.

The instrumental consort music of English 17th century composer Anthony Holborne will be featured this week on Continuum.

You'll hear many of his dances, including pavans, galliards and almaynes with interesting titles including "The Honeysuckle" and "The Fairie Round." The outstanding performances will be given by The King's Noyse under the director of David Douglas.

Recording used is: My Selfe - The Music of Anthony Holborne (The King's Noyse) - Harmonia Mundi HMU 907238.

This week on Continuum you'll hear medieval music related to the 12th century Celtic legend of Tristan and Isolde. It is this legend that inspired Richard Wagner to write his monumental music drama.

This is a recording of a production of this legend given by The Boston Camerata. Selections will include related music of the troubadours and trouveres and the medieval Carmina Burana. Recordings used are Tristan & Iseult (The Boston Camerata) - Erato ECD 75528 and A L'Estampida (The Dufay Collective) - Continuum CCD 1042.

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