Thais St. Julien

Co-Host, Continuum

Thaïs St. Julien has performed everything from Gregorian chant to Gershwin, appearing in recitals, concerts and opera across the U.S.  The New Orleans native is co-director (with founder Milton Scheuermann)of New Orleans Musica da Camera, performing music of the 11th through 19th centuries.  She created and directs the group’s  women’s vocal ensemble, Vox Feminae, sometimes writing and arranging music for them. She and Scheuermann co-host the ensemble’s weekly program of early music, Continuum, aired on  WWNO 89.9FM, streamed on wwno.org. Twelve Musica da Camera productions featuring the soprano as soloist have been broadcast on National Public Radio, American Public Radio and Public Radio International.

Her passion for 18th and 19th century New Orleans music has led to lectures and performances across the country. She was featured on the internationally acclaimed series “Creole Cameos” produced by WWNO, and “Arc Light”, a video series produced by Amistad Research Center. The soprano has recorded for the Newport Classics, Centaur, Belle Alliance and Clark Constructions record labels. Her closest brush with the movies was as historic music advisor for “Interview with the Vampire”.

Recipient of the 2007 Louisiana Artist Fellowship in Music, St. Julien is also a SouthernArtistry.org artist, and has received a Gambit “Tribute to the Classical Arts” Life Time Achievement Award and the Historic District Landmarks Commission’s Pioneer in Preservation Honor Award. She’s also profiled in several Marquis “Who’s Who” publications.

When not reading a mystery novel or doing historical research, she’s a magician, (it’s a performance art, after all, not that much different from music). She also belongs to some nifty organizations - the International Brotherhood of Magicians, the Society of American Magicians, the Knights of Slights and Mensa.

Ways to Connect

La Folia is one of the most important anonymous melodies of the 15th & 16th centuries. It has been reported to have variations composed for it by over 400 composers over the years. Probably the most notable one is by Arcangelo Corelli (1653-1713). This week on Continuum you'll hear this composition and others from a few notable composers extending into the present day.

On this Continuum you'll hear a recording of a live New Orleans Musica da Camera concert from October 5, 2014. It is A Voice Still Heard - Medieval Sephardic Song, recorded at Ursuline Chapel in New Orleans.

This is a repeat of a concert given by Musica da Camera in 1990 at Gates of Prayer Synagogue in New Orleans and broadcast nationally over American Public Radio. The recording is on the Musica da Camera’s CD, A Voice Still Heard - Belle Alliance BA 011.

This week on Continuum you'll hear a program of the music of Bach. Two of the six Suites for Solo Cello will be performed by the outstanding cellist, Tess Remy-Schumacker. And excerpts from the motet repertoire of the composer will round out the program. The music is from the two CDs: Suites for Cello Solo: Nos. 1, 2 & 3 (Tess Remy-Schumacker) Xolo1011, and Johann Sebastian Bach Motetten (The Hilliard Ensemble) ECM 1875.

Two of the most famous Renaissance composers of dance music were Michael Praetorius (1571-1521) and Tielman Susato (c.1510-1570). On this Continuum you'll hear a wide selection of this highly spirited music. Performing will be the famous New York Pro Musica and the New London Consort. The music by the New York Pro Musica is from a 1950s sound track of an early video of this most famous early music ensemble. CDs used are: Praetorius/Susato (New York Pro Musica) L’Oiseau-Lyre 436 132-2, and Tielman Susato: Dansereye (New London Consort) Universal UMD 80565.

Continuum this week will present a special New Year's program of early music, both sacred and secular and also festive. The sacred music is primarily from the Manuscrit du Puy which brings together a varied group of Aquitanian monodic and polyphonic chants for the New Year from the 12th to the 16th centuries. The secular music will be spirited French estampie dances of the 14th century. Performing will be Ensemble Gilles Binchois, Theatre of Voices and Ensemble Tre Fontane.

This week on Continuum you'll hear excerpts from the Feast of Fools, a post-European Christmas event dating from the Middle Ages. Occurring between Christmas and Epiphany, this celebration was marked by much license and buffoonery. The clergy and the laity traded places for a day and interesting things happened, particularly in The Mass of the Ass.

You'll hear it from these CDs: The Feast of Fools (The New London Consort) L’Oiseaus-Lyre 433 194-2, and La Fete de L'Ane (Clemencic Consort) Harmonia Mundi HMT 7901036.

On this Continuum you'll hear a special program of early Christmas music performed by the New Orleans Musica da Camera. This is music from their CD, Natus Est, directed by Continuum hosts Milton Scheuermann and Thais St. Julien.

This week, Continuum presents a program of medieval Christmas music, most of which is unknown to modern day listeners. Beginning with Aquitanian selections of the 12th century, the program progresses through the Italian, Spanish and German repertoire, ending with a selection of 15th century English carols.

Hundreds of medieval and Renaissance dances have come down to us over the past centuries. On this program Continuum presents recordings of a wide selection of these dances by two very early "early music ensembles", the New York Pro Musica, under the direction of founder Noah Greenberg, and the New York Renaissance Band, under the direction of founder Sally Logemann. The New York Pro Musica is the prime ensemble which began the world wide early music interest movement in 1952.

This Continuum presents Making Merrye, a highly spirited program of joyful songs and dances featuring cheerful sounds and ringing melodies of the late-medieval period. Bombards, shawms, lutes, harps and gitterns provide a rich program of music, with songs and instrumental music from Spain, Italy, France and Britain. Performances are by a wide variety of very talented instrumentalists with the assistance of The Oxford Girls' Choir. Recording used is: Marking Merrye (Various instrumentalists and The Oxford Girls' Choir) -The Gift of Music CCL CDG 1062.

Pages