Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR.

Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. An NPR "founding mother," Stamberg has been on staff since the network began in 1971.

Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for Morning Edition.

One of the most popular broadcasters in public radio, Stamberg is well known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti.

Prior to joining NPR, she served as producer, program director, and general manager of NPR Member Station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. Talk: NPR's Susan Stamberg Considers All Things, chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's All Things Considered Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, and the Distinguished Broadcaster Award from the American Women in Radio and Television.

A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

One of the world's most precious volumes starts a tour on Monday, in Norman, Okla. The Folger Shakespeare Library in Washington, D.C., is sending out William Shakespeare's First Folio to all 50 states to mark the 400th anniversary of the bard's death. Published seven years after he died, the First Folio is the first printed collection of all of Shakespeare's plays.

Editor's note: For more years than we can remember, the Friday before Thanksgiving has meant that NPR's Susan Stamberg would try to sneak a notorious and, yes, weird family recipe into NPR's coverage. And 2015 is no exception. Here's Susan.

Smack in the middle of all the political clatter in Washington, D.C., stands a solitary, serene woman in a pale blue satin jacket, reading a letter. She's from the 17th century, and her visit marks an important anniversary for the National Gallery of Art.

She was painted by Dutch Master Johannes Vermeer around 1663. Twenty years ago, in 1995, the National Gallery put on the first Vermeer retrospective ever, featuring 22 of only some 35 Vermeers known to exist. The show was a hit — despite some pretty serious hurdles.

The first president of National Public Radio has died. Don Quayle was 84 years old. He had a long career in public broadcasting — both television and radio. NPR's Susan Stamberg reflects on his impact.

Don Quayle gave me my first radio job. It was the early '60s and he was head of the Educational Radio Network — the precursor of NPR — a skinny little network of 12 East Coast stations that developed a daily drive-time news show. He hired me to help produce it. When this national network arose, he was an obvious choice to run it.

In Palm Springs, Calif., a $1 million home was just built — with plans resurrected from 1951. The original sold for about $15,000, and was called an Eichler, after developer Joseph Eichler, who offered well-designed, well-built tract homes to the masses a half-century ago.

British art dealer Joseph Duveen once said, rather astutely: "Europe has a great deal of art, and America has a great deal of money."

Starting in the late 1800s, in London first, later New York, the Duveen family sold precious European Old Master paintings, sculptures, tapestries, furniture to rich American collectors. For the first half of the 20th century, Duveen was arguably the world's greatest art dealer and some of the greatest works of art in America got here thanks to the Duveens.

When the Oscars are handed out on Sunday, the red carpet, the ceremony, the films and people who are honored, will be all about being seen. But there's a group of actors who will never be seen on screen. They're only heard — and barely.

Loopers are voice actors whose work begins after the show or film is shot and edited. Their job is to record what people in the background of a scene could be saying. Their dialogue is never really heard at full volume — and it's mostly ad-libbed.

It's been 10 years since we launched the annual Hollywood Jobs series, in which we explore odd movie jobs — you know, the ones you see in the closing credits. In the last decade, producer Cindy Carpien and I have talked to key grips, animal wranglers, focus pullers, foley artists, shoemakers, slate operators, loopers, food stylists and many more. Today we check back with some folks we've profiled in the past, to ask how their jobs have changed since we last met.

It's been a cold winter in Washington, D.C., but over at the Smithsonian's American Art Museum, there's a flutter of exotic real and imaginary birds, created by 12 contemporary artists, in an exhibit called "The Singing and the Silence: Birds in Contemporary Art."

Dripping in diamonds and shimmering in silks, the movie stars of the 1930s and '40s dazzled on the silver screen. Now, some of their costumes and jewels are on view at the Museum of Fine Arts in Boston. There, a film clip runs on a wall behind gorgeously gowned mannequins lit by sconces and chandeliers. The clip is from 1932's No Man of Her Own, starring Clark Gable and Carole Lombard. Nearby, co-curator Michelle Finamore points to the actual gown Lombard wore. It's long, made of slinky silk crepe and covered in teeny gold-colored glass beads.

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