Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR.

Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. An NPR "founding mother," Stamberg has been on staff since the network began in 1971.

Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for Morning Edition.

One of the most popular broadcasters in public radio, Stamberg is well known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti.

Prior to joining NPR, she served as producer, program director, and general manager of NPR Member Station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. Talk: NPR's Susan Stamberg Considers All Things, chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's All Things Considered Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, and the Distinguished Broadcaster Award from the American Women in Radio and Television.

A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

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Remembrances
3:46 pm
Fri April 17, 2015

Remembering Don Quayle, NPR's First President

Don Quayle, the first president of NPR, has died at the age of 84.
Sam Kittner WAMU 88.5

Originally published on Fri April 17, 2015 9:05 pm

The first president of National Public Radio has died. Don Quayle was 84 years old. He had a long career in public broadcasting — both television and radio. NPR's Susan Stamberg reflects on his impact.

Don Quayle gave me my first radio job. It was the early '60s and he was head of the Educational Radio Network — the precursor of NPR — a skinny little network of 12 East Coast stations that developed a daily drive-time news show. He hired me to help produce it. When this national network arose, he was an obvious choice to run it.

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Architecture
4:18 pm
Fri March 20, 2015

With Sunny, Modern Homes, Joseph Eichler Built The Suburbs In Style

After World War II, developer Joseph Eichler built well-designed and well-crafted tract homes that dotted California suburbs.
Stephen Schafer

Originally published on Tue March 31, 2015 8:04 pm

In Palm Springs, Calif., a $1 million home was just built — with plans resurrected from 1951. The original sold for about $15,000, and was called an Eichler, after developer Joseph Eichler, who offered well-designed, well-built tract homes to the masses a half-century ago.

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Fine Art
4:51 pm
Mon March 9, 2015

Meet Joseph Duveen, The Savvy Art Dealer Who Sold European Masterpieces

Happy Lovers (c. 1760-65) by Jean-Honoré Fragonard, is one of about 800 objects that American art collector Norton Simon purchased from Joseph Duveen. Over the years, Simon sold most of the collection off, but about 130 objects remain at the Norton Simon Museum in California.
The Norton Simon Foundation

Originally published on Mon March 9, 2015 2:52 pm

British art dealer Joseph Duveen once said, rather astutely: "Europe has a great deal of art, and America has a great deal of money."

Starting in the late 1800s, in London first, later New York, the Duveen family sold precious European Old Master paintings, sculptures, tapestries, furniture to rich American collectors. For the first half of the 20th century, Duveen was arguably the world's greatest art dealer and some of the greatest works of art in America got here thanks to the Duveens.

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Hollywood Jobs
1:32 pm
Fri February 20, 2015

Never Seen And Sometimes Barely Heard, Loopers Fill In Hollywood's Soundtrack

Loopers (from left) Nathalie Ciulla, Lanei Chapman, Aaron Fors and Catherine Cavadini walk through the studio lot after a looping session.
Cindy Carpien NPR

Originally published on Thu February 19, 2015 5:33 pm

When the Oscars are handed out on Sunday, the red carpet, the ceremony, the films and people who are honored, will be all about being seen. But there's a group of actors who will never be seen on screen. They're only heard — and barely.

Loopers are voice actors whose work begins after the show or film is shot and edited. Their job is to record what people in the background of a scene could be saying. Their dialogue is never really heard at full volume — and it's mostly ad-libbed.

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Hollywood Jobs
11:18 am
Fri February 20, 2015

As 'Hollywood Jobs' Turns 10, We Follow Up With The Folks In The Credits

Costume designer Julie Weiss in her studio in Southern California.
Cindy Carpien NPR

Originally published on Fri February 20, 2015 7:48 am

It's been 10 years since we launched the annual Hollywood Jobs series, in which we explore odd movie jobs — you know, the ones you see in the closing credits. In the last decade, producer Cindy Carpien and I have talked to key grips, animal wranglers, focus pullers, foley artists, shoemakers, slate operators, loopers, food stylists and many more. Today we check back with some folks we've profiled in the past, to ask how their jobs have changed since we last met.

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Fine Art
5:08 pm
Thu February 5, 2015

Beautiful Bird Exhibit Spotted At Smithsonian

Courtesy of the artist and Gallery Wendi Norris Smithsonian American Art Museum

Originally published on Wed February 4, 2015 10:22 am

It's been a cold winter in Washington, D.C., but over at the Smithsonian's American Art Museum, there's a flutter of exotic real and imaginary birds, created by 12 contemporary artists, in an exhibit called "The Singing and the Silence: Birds in Contemporary Art."

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Art & Design
3:00 am
Fri November 28, 2014

Gold-Plated Gowns And 8-inch Pumps: The Stuff That Made Starlets Shimmer

Mae West is said to have worn these super platform shoes both on screen and off.
Brian Sanderson Courtesy of Museum of Fine Arts, Boston

Originally published on Fri November 28, 2014 6:16 am

Dripping in diamonds and shimmering in silks, the movie stars of the 1930s and '40s dazzled on the silver screen. Now, some of their costumes and jewels are on view at the Museum of Fine Arts in Boston. There, a film clip runs on a wall behind gorgeously gowned mannequins lit by sconces and chandeliers. The clip is from 1932's No Man of Her Own, starring Clark Gable and Carole Lombard. Nearby, co-curator Michelle Finamore points to the actual gown Lombard wore. It's long, made of slinky silk crepe and covered in teeny gold-colored glass beads.

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The Salt
3:18 am
Fri November 21, 2014

Mama Stamberg's Cranberry Relish Put To The Test At Amish Market

A tub of Susan Stamberg's mother-in-law's famous cranberry relish made by Beth Hansen of Easton, Md.
Jackie Judd NPR

Originally published on Fri November 21, 2014 12:42 pm

The request was forwarded to me from a distant (fifth floor — I'm on the fourth) division of NPR.

It came from Justin Lucas, the head of NPR's Audience and Community Relations team. He's the go-to person here for requests from listeners, for information or permissions.

He'd gotten a letter from Beth Hansen, owner of Soup and Salad, a small sandwich shop in Easton, Md., a charming old town on the Eastern Shore of the Chesapeake Bay.

Justin read me an excerpt of the request: "I'd love to make and sell Mama Stamberg's Cranberry Chutney. A portion of the proceeds ... "

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Commentary
2:28 pm
Tue November 4, 2014

Tom Magliozzi: As Warm In Real Life As He Was On The Radio

Tom Magliozzi co-hosted the longtime public radio show Car Talk. He died Monday.
Courtesy of Richard Howard

Originally published on Mon November 3, 2014 5:23 pm

I had what the guys would call the dubious distinction of putting Tom on NPR's air. For 10 years they'd had a weekly program on WBUR in Boston. In 1987, when we were launching Weekend Edition Sunday, we asked stations for tapes of local programs that might work nationally. WBUR sent cassettes of Tom and Ray, and their five-minute spots became the hit of Sunday mornings.

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Fine Art
5:59 pm
Wed July 16, 2014

Meet The Models: Exhibit Explores The People Behind The Paintings

In 1930, Grant Wood had his sister Nan pose for American Gothic. "The public reaction to the painting was so rough on her that her brother Grant felt bad for her," curator Elizabeth Botten says.
Art Institute of Chicago, Friends of American Art Collection AP

Originally published on Thu June 12, 2014 1:17 pm

An artist friend, Virginia Isbell, once asked me to pose for a quick pastel sketch in her Paris studio. I was flattered — and amazed to be on that side of a work of art. Never have I been looked at so intently, except by a parent or a lover. I was being fixed, examined, absorbed. And, for all the intensity, there was absolutely nothing personal about it.

I was an object to be replicated. Her eyes went from my face to her sketchpad, my nose, my eyes, mouth, chin — sketched in pastel in 20 minutes. It was fun. But it felt as if something had been taken from me.

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