Mark Jenkins

Mark Jenkins reviews movies for, as well as for, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.


Movie Reviews
4:48 pm
Thu January 17, 2013

'Broken City,' Broken Movie: An Undernourished Noir

In a corrupt New York, private detective Billy Taggart (Mark Wahlberg) tries to straighten out the city as he straightens out his own life.
Barry Wetcher Twentieth Century Fox

Originally published on Thu January 17, 2013 4:03 pm

As an investigation into American municipal corruption, Broken City is, well, damaged. But as an opportunity for hard-boiled types to trade threats, blows and caustic banter, this modern-day noir works reasonably well.

The story begins in a New York housing project, where scruffy undercover cop Billy Taggart (Mark Wahlberg) has just dispatched a felon. The victim had it coming, it seems, but that doesn't mean the shooting is strictly legit.

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Movie Reviews
4:47 pm
Thu January 17, 2013

'Hors Satan': A Singularly Devilish Vision

David Dewaele) turns to nature for solace and spiritual comfort." href="/post/hors-satan-singularly-devilish-vision" class="noexit lightbox">
In Bruno Dumont's Hors Satan, the unnamed Guy (David Dewaele) turns to nature for solace and spiritual comfort.
New Yorker Films

Originally published on Thu January 17, 2013 4:03 pm

Bruno Dumont just wasn't made for these cinematic times. Rather than cajole and flatter his viewers, the French filmmaker intentionally alienates and mystifies them. Like his five previous movies, the new Hors Satan is stark, strange and uncompromisingly personal. It's also vivid and unforgettable.

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Movie Reviews
6:49 pm
Sun January 13, 2013

Old-Fashioned Crime, Newfangled Camp In 'Baytown'

As leader of the murderous Oodie brothers, Brick (Clayne Crawford) takes care to target only the worst criminals in the Deep South.
Phase 4 Films

Originally published on Thu January 10, 2013 4:03 pm

During The Baytown Outlaws prologue — a bloody massacre scene that doubles as a credit sequence — director Barry Battles interrupts the carnage with comic-book-style panels. It's a gambit he uses again later, and an appropriate one. This Deep South odyssey is a pulp fantasy and knows it.

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Movie Reviews
9:40 pm
Thu January 3, 2013

Checking In Again With The '7 Up' Kids

Peter Davies, age 56, and his Good Intentions bandmates Gabi (left) and Francesco Roskel appear in the latest installment of the Up documentary series, inspired by the Jesuit saying, "Give me the child until he is 7 and I will show you the man."
Harriet Gill First Run Features

Originally published on Thu January 3, 2013 4:03 pm

The participants in 56 Up, the eighth installment in a series that began in 1964, want to talk mostly about two things: family and the documentary itself.

The project, which checks in periodically with 14 kids who were once deemed representative British 7-year-olds, is "a complete fraud," says John, and based on assumptions that "were outmoded even in 1964."

And yet here they are again: the working class and the posh, the aimless and the motivated, the emigrants and the stay-at-homes, most of them now grandparents.

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Movie Reviews
11:31 am
Fri December 28, 2012

Lies, Death And Redemption In 'Memphis'

Jessie Misskelley after his murder conviction.
Robert Cohen The Commercial Appeal

Originally published on Thu December 27, 2012 8:15 pm

Although it's the fourth documentary about the West Memphis Three, West of Memphis doesn't feel superfluous. This bizarre case rates at least 18 documentaries — one for each year Damien Echols, Jason Baldwin and Jessie Misskelley spent in prison for murders they clearly didn't commit.

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Movie Reviews
2:50 pm
Mon December 24, 2012

Sparks Of '60s Spirit, And Then A Slow 'Fade'

Wells (Will Brill, from left), Joe (Brahm Vaccarella), Douglas (John Magaro) and Eugene (Jack Huston) try to make it big as a rock band in the 1960s.
Barry Wetcher Paramount Pictures

Originally published on Thu December 20, 2012 4:03 pm

Basically, Not Fade Away is the saga of a 1960s teenager who plans to become a rock star, but slowly realizes he won't. The movie is set mostly in the New York suburbs. So why does it open in South London, where two lads — you may know them as Mick and Keith — bond over imported blues LPs?

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6:45 pm
Thu December 13, 2012

A Queens Chronicle That's A Little Too Lifelike

Without a supportive family, a rebellious teenager (Zoe Kravitz) must take care of herself in a troubled neighborhood.
MPI Media

Originally published on Thu December 13, 2012 4:03 pm

The O'Haras don't talk much about what's wrong, but the members of this biracial Queens family — the central characters of Yelling to the Sky -- are bedeviled by alcoholism (dad), mental illness (mom) and adolescent defiance (the two daughters). Indeed actress-turned-director Victoria Mahoney barely explains her characters' circumstances, which makes the movie obliquely intriguing. But whenever the story comes into focus, it's revealed as fairly conventional.

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Movie Reviews
3:18 pm
Mon November 26, 2012

Rape, Race And The Press, Entangled In 'Central Park'

Yusef Salaam, wrongly accused of rape, is escorted by police. He and four other teens were eventually found guilty of a crime they didn't commit.
Getty Images

Originally published on Thu November 22, 2012 4:03 pm

A change of pace for PBS long-form documentarian Ken Burns, The Central Park Five revisits New York City's recent past to tell the story of a pack of ruthless predators.

Two packs, actually: Gotham's prosecutors and police officers, and its reporters and columnists. Both groups went feral in 1989 against five innocent Harlem teenagers accused and then convicted in a rape and assault.

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Movie Reviews
2:14 pm
Fri November 16, 2012

'Buffalo Girls' Fight For Survival In Rural Thailand

Buffalo Girls follows two 8-year-old professional Muay Thai fighters. Pet Chor Chanachai not only fights to support her family, but does so while suffering from a heart defect.
108 Media

Originally published on Thu November 15, 2012 4:03 pm

It's no secret that, in many parts of the world, children don't experience what affluent Westerners would term "childhood." Still, even the most hardened documentary buffs may be dumbfounded by Buffalo Girls, a look at two 8-year-old Thai girls who support their respective families.

They do so by hitting each other in the head.

Stam and Pet compete in Muay Thai, a form of boxing in which kicking as well as punching is allowed. As depicted in fictional action movies, Muay Thai is both graceful and brutal. Practiced by 8-year-olds, it's neither.

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Movie Reviews
2:09 pm
Fri November 16, 2012

Ending The 'Silence' Around Priests' Sex Abuse

Mea Maxima Culpa: Silence in the House of God documents the claims made by four deaf men who accused a Catholic priest of sexual abuse — and in chronicling the response of the church, details the role the current pope played in such scandals earlier in his career.

Originally published on Thu November 15, 2012 4:03 pm

By the time Father Lawrence Murphy died in 1998, it's alleged, he had sexually abused more than 200 children. Many of them must have seemed ideal victims: Students at St. John's School for the Deaf in Milwaukee between 1950 and 1974, they possessed limited ability to communicate with others. Commonly in that period, the boarding school's pupils had hearing parents who didn't know American Sign Language.

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