Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu May 17, 2012

'Polisse': In Paris, A Thin Bleu Line

The documentary-style drama Polisse centers on members of Paris' Child Protection Unit.
IFC Films

As humane as it is disturbing, Polisse rifles the files of Paris' Child Protection Unit in search of successes, failures and all the shades of ambiguity in between. If the movie's jumpy edits and raw emotions jangle the nerves, that's intentional: This documentary-mimicking drama is designed to evoke the experience of working a beat that can never become routine.

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Movie Reviews
4:03 pm
Thu May 10, 2012

In Lebanon, Women Fight To Keep A Fragile Peace

Filmmaker Nadine Labaki plays the lead role of Amale, a widow who organizes women in a Lebanese village to help tamp down flaring sectarian tensions, in her film Where Do We Go Now?
Rudy Bou Chebel Sony Pictures Classics

Women's hard-won pragmatism contends with men's impulsive belligerence in Where Do We Go Now?, the second feature directed by Lebanese actress Nadine Labaki. It's the sort of well-meaning fable that's ultimately more admirable than persuasive.

Filmed in three small Lebanese villages, the movie never locates itself in a particular country. But, as in last year's similarly cautious Incendies, the place must be Lebanon; there are few places in the Middle East where Christians and Muslims mingle the way they do in this story.

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Movie Reviews
4:03 pm
Thu May 10, 2012

When Mystery Writer Meets Pinup Girl (Who's Dead)

A Paris-based mystery writer (Jean-Paul Rouve) journeys to a cold and remote area of France hoping for an inheritance — and finds instead a story idea in the mysterious death of a local Marilyn Monroe lookalike (Sophie Quinton).
First Run Features

Originally published on Thu May 10, 2012 4:47 pm

Playing a Marilyn Monroe avatar in Nobody Else But You, Sophie Quinton endows her impersonation with less vitality than Michelle Williams in My Week With Marilyn. But that's appropriate: Quinton's character is already dead when this smart if outlandish movie opens.

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Movie Reviews
4:03 pm
Thu May 3, 2012

For Americans' Water, It's 'Last Call At The Oasis'

In building its case for the need to address flaws in current water management practices, the documentary Last Call at the Oasis shows the negative effects of such systems on communities, including this dry lake in Australia.
Participant Media

Eco-aware filmgoers won't learn much from Last Call at the Oasis, which follows the paths of such well-known water activists as Erin Brockovich. But writer-director Jessica Yu's documentary may be slick enough to reach people who aren't already familiar with such substances as "new water," atrazine and hexavalent chromium.

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Movie Reviews
4:03 pm
Thu April 26, 2012

'Elles': In Paris, Ladies Living Dangereusely

Anne (Juliette Binoche), a Parisian journalist writing for the women's magazine Elle, interviews two university students moonlighting as prostitutes. She develops a sisterlike rapport with Charlotte (Anais Demoustier), a young woman from the Paris suburbs.
Kino Lorber

In Elles, a Paris journalist has an eye-opening experience when she interviews two university students who moonlight as prostitutes. So do the movie's viewers, presented with beaucoup de nudite. No genitalia are on display, but there are a few kinky moments that justify the NC-17 rating.

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Movie Reviews
11:56 am
Thu April 26, 2012

Demanding 'Payback' That May Never Come

A migrant Florida tomato grower and member of the Coalition of Immokalee Workers drinks from a jug of water. As part of a larger discussion of societal thinking about debt, Payback looks at the sometimes harsh treatment by companies of migrant workers.
Zeitgeist Films

"Crime doesn't pay" is one of the hopeful cliches Margaret Atwood invokes in her essay collection Payback: Debt and the Shadow Side of Wealth.

Of course it does, filmmaker Jennifer Baichwal shows in Payback, a documentary that riffs on Atwood's themes. But crime doesn't always pay, and perhaps it will pay less well in the future. At least that's the suggestion made by the on-screen commentators who expand on Atwood's original theme.

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