Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:22 pm
Fri July 18, 2014

You're A Little Flat, 'Boys'

Tommy Devito (Vincent Piazza), Bob Gaudio (Erich Bergen), Frankie Valli (John Lloyd Young) and Nick Massi (Michael Lomenda) make up the scrappy Four Seasons quartet in Jersey Boys.
Keith Bernstein 2014 Warner Bros. Entertainment Inc.and RatPac Entertainment

Originally published on Fri June 20, 2014 10:40 am

For the final credits of Jersey Boys, director Clint Eastwood sends the whole cast into a backlot street to dance to the Four Seasons' most recent chart-topper, 1976's "December, 1963 (Oh, What a Night)." Hmmm, the confused viewer might wonder, perhaps this is supposed to be a musical....

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Movies
7:56 am
Fri July 18, 2014

In 'Manuscripts,' A Barred Filmmaker Considers Dissident Art

One of the uncredited members of the cast of Manuscripts Don't Burn.
Kino Lorber

Originally published on Thu June 12, 2014 4:03 pm

Iranian writer-director Mohammad Rasoulof is known for such lovely yet elusive allegories as White Meadows, but his response to being barred from filmmaking has not been to recede further into symbolism. His Manuscripts Don't Burn, smuggled out of Iran last year, is direct and unflinching.

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Movie Reviews
2:33 pm
Fri July 4, 2014

All Eyes Turn To One 'Beauty' In Interwoven Tales Of Families And Politics

Isabelle Huppert in Dormant Beauty.
Emerging Pictures

Originally published on Fri June 6, 2014 12:45 pm

Four stories and at least that many themes interlace in Dormant Beauty, veteran Italian director Marco Bellocchio's latest bid to combine the personal and the political. The central issue is euthanasia, which became a national argument in 2009, when the father of Eluana Englaro asked to end her life after 17 years in a vegetative state.

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Movie Reviews
2:50 pm
Thu June 26, 2014

Punk Is Alive And Living In Three Swedish Girls

Mira Grosin, Liv Lemoyne and Mira Barkhammar in WE ARE THE BEST!
Sofia Sabel Magnolia Pictures

Originally published on Fri May 30, 2014 4:03 pm

Somewhere in liberal-minded but boring Sweden, two teenage girls begin a rebellion. If the premise of Lukas Moodysson's We Are the Best! sounds familiar, that's because it's roughly identical to that of the writer-director's charming 1998 debut, Show Me Love.

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Movie Reviews
5:12 pm
Mon June 16, 2014

Dizzy From Time Travel, Overstuffed With Mutants

You're looking pensive, Wolverine (Hugh Jackman). And maybe full of ... holes?
Alan Markfield Twentieth Century Fox

Originally published on Thu May 22, 2014 4:03 pm

As the seventh X-Men movie begins, New York City is in ruins, its residents nearly annihilated. Yet X-Men: Days of Future Past's true plight is overpopulation. The film is so stuffed with characters that including twin versions of Professor X and Magneto scarcely boosts the confusion.

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Movie Reviews
4:42 pm
Sun May 25, 2014

In 'Horses Of God,' A Sprawling Slum Breeds A Violent Act

Said El Alami and Achraf Afir in Horses Of God.
Kino Lorber

Originally published on Thu May 15, 2014 4:04 pm

Anyone seeking to establish an incubator for suicide bombers could hardly improve on Sidi Moumen, a slum on the fringe of Casablanca. As depicted in Horses of God, the neighborhood is a place of crushing poverty, rampant hostility and exceptionally limited options.

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Movie Reviews
6:06 pm
Thu May 8, 2014

'Neighbors' Just Wants To Be The Gross Joke Next Door

Zac Efron in Neighbors.
Universal Pictures

Originally published on Thu May 8, 2014 4:03 pm

Makers of R-rated comedies face an essential dilemma: finding brand new ways to gross out their snickering adolescent viewers. But as Neighbors demonstrates, there's another challenge that's just as tricky: piloting the raunchy scenario to a payoff that upholds the very middle-class values the movie gleefully profanes.

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Movie Reviews
10:32 am
Sat May 3, 2014

Travel And Discovery, For 'Ida' And The Filmmaker Who Watches Her

Ida/Anna (Agata Trzebuchowska) in Ida.
Music Box Films

Originally published on Thu May 1, 2014 4:04 pm

Everyone is on a voyage of self-discovery in Ida — the two central characters certainly, but also Poland-born, Britain-based director Pawel Pawlikowski, making his first film in the homeland he left at 14.

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Movies
6:43 pm
Thu April 24, 2014

Tracing One Life, Lost In The Desert

Gael Garcia Bernal narrates and travels in the documentary Who Is Dayani Cristal?
Kino Lorber

Originally published on Thu April 24, 2014 5:41 pm

Who Is Dayani Cristal? attempts to humanize the many who illegally cross the U.S.-Mexico border by focusing on just one: a corpse found in the lethal Arizona desert with the words "Dayani Cristal" tattooed on his chest. The documentary follows the models of several genres of fictional films: the forensic procedural, the road movie, the man-who-wasn't-there mystery.

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Movies
4:40 pm
Thu April 17, 2014

The Rush Of A River; The Rise Of A Gondola

Glen Canyon Dam, on the Arizona/Utah border, is seen in a scene from DamNation.
Ben Knight Damnation Collection

Originally published on Thu April 17, 2014 6:21 pm

Although they take very different approaches to the eco-documentary, DamNation and Manakamana are both immersive experiences. In the former, one of the directors is the narrator and an onscreen character. In the latter, the directors stay off-camera (or behind the camera) as they turn a simple journey into a slowly unraveling ethnographic mystery.

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