Life does not imitate art in Swedish writer-director Ruben Östlund's The Square. No, something much worse happens: Life imitates conceptual art.
The Square is the first Swedish movie to win the top prize at the Cannes Film Festival since 1992's The Best Intentions. That's ironic, since Östlund's often startling satire is about a man with the best of intentions: a contemporary-art museum director tellingly named Christian (Claes Bang). He's handsome, successful, and, of course, as insensitive and self-centered as the rest of us.