Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

On this week's show, we sit down with our good pal Gene Demby for a wide-ranging chat about movies and music.

American Crime opens as a bedraggled, initially almost unrecognizable Timothy Hutton takes the worst possible middle-of-the-night phone call: The police need him to identify the body of what they believe is his murdered son.

My reaction to the initial revelation that Mindy Lahiri, the heroine (?) of Mindy Kaling's The Mindy Project, was pregnant was the same one I think a lot of people had: Oh, brother.

This was the case for two reasons. First, baby stories are notoriously difficult to make interesting, and adding babies to comedies often leads to awkwardness, as people who didn't set out to write stories about babies often like writing about birth and do not like writing about parenting, so after a while, it's like the baby never happened.

On today's All Things Considered, NPR film critic Bob Mondello and I have a chat with Audie Cornish about the inevitable, inscrutable Oscars.

We didn't get to tape our Oscars Omnibus live the way we planned (stay tuned for a make-up date for ticketholders), but we did get to sit down with our friend Bob Mondello to talk about all eight contenders in the Best Picture race.

The rain that fell on Hollywood as the hours of red-carpet coverage wore on may have provided one of the evening's best visuals: actual people running around wearing plastic bags as they guided famous people out of limos, under umbrellas and to the waiting microphones of interviewers who wanted to know who made the dress, the shoes, the jewelry. It was literally the packing up and encasing of humanity to keep reality out: What could be more Oscars than that?

The nominees are in, the arguments have been had, and the ceremony is all that's left of Oscar season. (Well, and the griping over what should have won.)

It took us a few hours to gather our thoughts, but Stephen Thompson and I sat down this morning for a talk about what might come next once Jon Stewart leaves The Daily Show. To promote from within or to try something more emphatically new? And are they wishing right now that the John Oliver timing had been different? We catch up about these questions and take a moment to remind each other that with a stable of strong writers comes the potential for a strong future, no matter who's in the host chair.

A presidential election cycle looms, but one of the men most associated with covering presidential politics since the first election of George W. Bush won't be sitting in his usual spot: Comedy Central confirmed on Tuesday that Jon Stewart is stepping down later this year from his post at The Daily Show.

On Sunday night, the big Grammy Award winners included Beck and Sam Smith, both of whom put out records that moved pretty slowly. As Stephen Thompson and I note in our wrap-up of the night, the ceremony was a little heavy also, despite some strong performances and a helpful infusion of social commentary.

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