Kat Chow

Kat Chow is a founding member of NPR's Code Switch, an award-winning team that covers the complicated stories of race, ethnicity, and culture. She helps make new episodes for the Code Switch podcast, reports online features for Code Switch, and reports on-air pieces for NPR's shows like Morning Edition and All Things Considered. Her work has led readers and listeners on explorations of the gendered and racialized double standards surrounding double-eyelid surgery, as well as the mysterious origins of a so-called "Oriental" riff – a word she's also written a personal essay about. Much of her role revolves around finding new ways to build communities and tell stories, like @todayin1963 or #xculturelove.

During her tenure at NPR, Chow has also worked with NPR's show Invisibilia to develop a new digital strategy; reported for KERA in Dallas, Texas, as NPR's 2015 radio reporting fellow; and served on the selection committee for AIR Media's incubator project, Localore. Every now and then, she's a fourth chair on NPR's podcast Pop Culture Happy Hour. And sometimes, people ask her to talk about the work she does — at conferences in Amsterdam or Chicago, or at member stations in St. Paul or Louisville.

While a student at the University of Washington in Seattle, Chow wrote a food column for the Seattle Weekly, interned with the Seattle Times and worked on NBC's Winter Olympics coverage in Vancouver, B.C. You can find her tweeting for Code Switch at @NPRCodeSwitch and sharing her thoughts at @katchow.

The front page of The Daily Progress, Charlottesville's local paper, on June 28, 1921, offers a mix of local minutiae folded in with larger news.

"VALUABLE DOG DEAD," shouts one headline.

"WON'T ACCEPT WAGE CUT," says another.

And then, right up near the top, bordered with teeny asterisks, is this headline: "KU KLUX KLAN ORGANIZED HERE."

A rally with white nationalists chanting phrases like "Jews will not replace us" and "end immigration, one people, one nation" was, as many expressed online, disturbing yet not really all that surprising.

Within hours of the tragedy in Charlottesville, journalists, scholars and other leading voices weighed in around the Internet, with analysis and deeper understanding of how this unfolded.

In 1872, 13-year-old Hong Yen Chang came to the U.S. to be groomed as a diplomat. He earned degrees from Yale University and Columbia University's law school, and passed the bar exam.

When Bao Phi's family fled Vietnam in 1975 and settled in Minneapolis with other refugees, he was just a few months old. He was too young to understand the scene at the airport that day: Communist soldiers were firing rockets at planes filled with people trying to escape, incinerating them in the sky. Phi's parent's told him about their family history bit by bit, and he began to form a stronger sense of his own identity.

Jack Shaheen, a researcher and writer who spent his life battling stereotypes of Arab-Americans and Muslims in pop culture, died Sunday in South Carolina. He was 81.

One of Shaheen's notable victories came in 1993, when he helped persuade Disney to change some original song lyrics in the movie Aladdin, on the grounds that they were insensitive.

As soon as Philando Castile's mother Valerie heard last week that a Minnesota jury had acquitted Jeronimo Yanez, she stood up and declared "f*** this!" and left the courtroom. That's according to Minnesota Public Radio reporter Riham Feshir, who was there, and talked to Code Switch about it for this week's episode.

That trial ended Friday after five days of deliberations with a not guilty verdict for Yanez, the officer who fatally shot Castile as he sat in a car on July 6 of last year.

In most American cities these days, it seems like there's a Chinese restaurant on every other street corner.

But in the late 1800s, that ubiquity was exactly what certain white establishment figures feared, according to a new study co-written by Gabriel "Jack" Chin, a law professor at the University of California, Davis.

A Chinese man stands on a pedestal surrounded by a harbor as a cartoon imitation of the Statue of Liberty. His clothes are tattered, his hair is in a long, thin tail, his eyes squint. The words "diseases," "filth," "immorality," and "ruin to white labor" float around his head.

A piece from New York Magazine's Andrew Sullivan over the weekend ended with an old, well-worn trope: Asian-Americans, with their "solid two-parent family structures," are a shining example of how to overcome discrimination. An essay that began by imagining why Democrats feel sorry for Hillary Clinton — and then detoured to President Trump's policies — drifted to this troubling ending:

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SCOTT SIMON, HOST:

Meet the star of one of the biggest movies opening this weekend, a cyborg based off a Japanese manga series called "Ghost In The Shell."

(SOUNDBITE OF FILM, "GHOST IN THE SHELL")

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