Glen Weldon

Glen Weldon is a regular panelist on NPR's Pop Culture Happy Hour podcast. He also reviews books and movies for and is a contributor to NPR's pop culture blog Monkey See, where he posts weekly about comics and comics culture.

Over the course of his career, he has spent time as a theater critic, a science writer, an oral historian, a writing teacher, a bookstore clerk, a PR flack, a seriously terrible marine biologist and a slightly better-than-average competitive swimmer.

Weldon is the author of Superman: The Unauthorized Biography, a cultural history of the iconic character. His fiction and criticism have appeared in The New York Times, The Washington Post, The New Republic, The Atlantic, Slate, Story, McSweeney's, The Dallas Morning News, Washington City Paper and many other publications. He is the recipient of an NEA Arts Journalism Fellowship, a Ragdale Writing Fellowship and a PEW Fellowship in the Arts for Fiction.

It looks like a last-minute gift, like one of those tiny tomes that live near the register on the counter of your favorite bookstore, hoping to catch the attention (or at least the impulse) of shoppers in the check-out line. Given its digest-sized dimensions and jokey title, you'd be forgiven for assuming A User's Guide to Neglectful Parenting is a hastily assembled collection of cornball homilies, like those miniature books about dads, grads and golf that double as greeting cards this time of year. But don't be fooled.

Israeli graphic novelist Rutu Modan's deceptively clear and simple line work — she can conjure a face in two dots and a single, expressive pen stroke — is a deliberate artistic choice. Narratively, Modan's work (including the acclaimed Exit Wounds and her Jamilti and Other Stories) lives in the realm of the indistinct, the undefined and the hotly disputed. In her books, conflicts between family members, lovers and nations all occur in the context of Jewish cultural history.

NPR has obtained [or invented, whatever] an excerpt of the draft script for Zack Snyder's much-rumored sequel to the hugely successful Man Of Steel. The script, which was found in a booth at the Coffee Bean and Tea Leaf on La Cienega, suggests that the distinctive tone set by Christopher Nolan's Dark Knight trilogy and adopted by Snyder's Man Of Steel will continue to inform the expanding cinematic universe of DC Comics characters.


Screenplay by David S. Goyer

Take heart, ye spandex-haters: Zack Snyder's steroidal yet sensitive Man of Steel is not a superhero film.

Full disclosure: Over the past two years, this reviewer has spent a great deal of time thinking about superheroes in general and Superman in particular. Less than some, perhaps, but more — it's safe to say — than most of you reading these words, as you debate whether or not to duck out of the heat this weekend to take in Snyder's latest summertime smash-em-up.

Hey, Monkey See readers. It's me, your old pal Glen. Look, I know you haven't seen me around these parts very much over the last year or so, but ...

Mm? What's that?

Why, yes, I have "put on a few," as you say. How nice of you to notice. And just ... blurt out. Free as you please. Like that. Gosh I've missed us.

Matt Kindt is a storyteller so fully in control of his gifts that his graphic novels — 3 Story, Revolver and others — read like quietly compelling arguments for the comics medium's narrative potential.

In The Time Traveler's Wife, Audrey Niffenegger married her gently wry sensibility to a classic science-fiction conceit, and the result became a literary sensation — as much a tried-and-true staple of book-club culture as cheap malbec.

This Saturday, May 4th, is Free Comic Book Day, the comics industry's annual attempt to sail out past the shallow, overfished shoals where Nerds Like Me lazily and inexpertly spawn, to instead cast their line into the colder, deeper waters where Normals Like You swim free, blissfully unconcerned about the myriad nettlesome continuity issues surrounding Supergirl's underpants.

In his slim but beguiling novel Equilateral, Ken Kalfus places us inside the heads of his characters with such deftness that the line between what is true and what they believe to be true fades to obscurity. It's no coincidence that the heads in question belong to scientists who pride themselves on their evidence-based worldview; Kalfus delights in having readers continually gauge and recalibrate the distance between the world and his characters' seemingly objective observations of it.

Ben Katchor's syndicated comic strips vary in subject — his Julius Knipl: Real Estate Photographer, for example, explores the surreal underside of our urban environment by documenting the inner lives of the spaces and storefronts we walk past every day, while The Cardboard Valise reads like a Fodor's guide to a country that exists only in Franz Kafka's dream journal.