Frannie Kelley

Last year you heard Terrace Martin's work on YG's album, Ninth Wonder's compilation, Big K.R.I.T.'s Cadillactica and, just this week, a new song by Kendrick Lamar, called "The Blacker The Berry." In the space of less than six months in 2014, the LA-based producer and multi-instrumentalist also put out a full solo album, 3Chor

Compared to American rock and roll, Afro-Cuban music sounds complicated to the point of intimidation. Sure the rhythms make you want to move, but if you stop to think about what's going on, your feet won't know what to do. And that's just the point — some rhythms are better felt than counted off. NPR's Frannie Kelley learned how easy they can be to play, once you abandon a central tenet of rock: the one.

Ab-Soul, the most philosophical member of the by now vaunted Top Dawg Entertainment, met Microphone Check hosts Ali Shaheed Muhammad and Frannie Kelley in Los Angeles two weeks before the release of his latest album, called These Days ... After only one listen to the album, the three of them had a conversation about Ab's high expectations of his audience and what he's trying to make for them.

In the middle of our live interview with Mannie Fresh at NPR's headquarters in D.C., Ali asked Mannie how he approaches DJing — does he play what he wants to hear? Or does he feed the crowd? "When I want you to understand something, I remix it," Mannie said. "If it's Earth Wind and Fire, and you not getting it, I'ma make you get it."

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